Real Estate

Keith Wright Gets His Way on Harlem's Victoria Theater

Empire State Development Corporation.

The fight for Harlem’s Victoria Theater began back in December of 2005, when 11 developers submitted bids to convert the shuttered vaudeville house into a mixed-use cultural building. The board of the Harlem Community Development Corporation, which was chaired at the time by Democratic Assemblyman Keith Wright, narrowed the choices down to two firms.

But, according to The New York Times, the Pataki administration resisted, favoring another developer, Apollo Real Estate Advisers, which offered more money for the development rights and also happened to have strong ties to the Republican governor.

Mr. Wright lost his chairmanship a little while later—because of the dispute, according to an aide­­--but he ended up getting his way today. The Empire State Development Corporation, now controlled by appointees of the Democratic Governor Eliot Spitzer, announced that one of the two firms selected by the Harlem Community Development Corporation, Danforth Development Partners LLC, had won the conditional right to redevelop the 1917 theater on 125th Street into a complex containing a hotel, 91 condominiums, and space for four arts organizations: the Classical Theatre of Harlem, the Harlem Arts Alliance, the Jazz Museum of Harlem, and the Apollo Theater Foundation. (The complex will, at 317,570 square feet, require a pretty large tower on top of the current building.)

The total development will cost $145 million, with about $25 million going to the state, according to Danforth’s president M. Steven C. Williams, a third-generation Harlem resident who had been a partner in the redevelopment of 55 West 125th Street, the office tower that now houses former President Bill Clinton’s office.

“There were a number of iterations, reviews, and questions. I do think there was also an impetus that somebody from the local community would be the developer because they would be more likely to keep the legacy of the community in making sure that these indigenous cultural entities had the chance to be incubated here,” Mr. Williams said. “I’m very excited. I’m looking forward to it. I’m looking forward to what the project is going to do for 125th Street.”

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Comments
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Wyo (not verified) says:

It's good to see a real Harlemite winning the bid for the Victoria Theater. I'm glad that a big "outsider" firm didn't get it. It sounds like it will be a great addition to Harlem's historic cultural legacy as well.

DaggumYoHide (not verified) says:

"real Harlemite" how? And "outsider" from what? Don't be a coward by cloaking your statement in BS double-speak. Just say what you mean. DaggumYoHideBoy...

blaqgyrl (not verified) says:

So, DaggumYoHideBoy since you insinuate that Wyo is a coward by cloaking their statement with "bs" double-speak-- let me assist you in understanding a diplomatic response to the article.

We are happy to see a genuine Harlemite, who lives and works in Harlem take pride in the future development of his community. Unlike the big chains like Starbucks or H & M who drop these stores in Harlem--do their corporate officers live in Harlem--did the developer for the site live in Harlem--I doubt it very much. Yes, Harlem is grateful that the stores are employing people in the community.

With the redevelopment of the Victoria Theatre-- there will be a home for several of Harlem's longstanding cultural instituions which will create a "snowball" effect of giving back to the community where you live and work.

curious (not verified) says:

Oh the drama. What fun.

Any idea who the architect is?

PoloGrounds155 (not verified) says:

Allow me to make this abundantly clear:

"Real Harlemite" = "...M. Steven C. Williams, "a third-generation Harlem resident" - which means, he has roots in the community...family, history, a vested interest in the neighborhoods and the community at large.

"Outsider from what" you ask? - Outsider from HARLEM... Does not live in, work in, or patronize business in HARLEM; Has no ties - no family, no friends, no history IN HARLEM. Could care less about the people - the families, the elderly, the children, the black owned businesses, the long time residents...is only thinking about profit.

Get it now?

Ammaat (not verified) says:

First of all this fight has been going on since 2004 when proposals were submitted. Steven Williams may have a brownstone in Harlem, but he doesn't work in Harlem. His partners are not known and he would not have any ownership of the theatre. As he doen't have ownership of 55 West. He is a front. Just because it has a black face don't make it righteous. He is not going to save the theatre, which is landmark eligible. Do research people don't go on what you hear. Get facts. Keith Wright and Williams are "buddies" (from KW's mouth). They (HCDC)just wanted to appease the community by choosing a so-called "Black" firm. If it wasn't for Haarlem Victoria Restoration Group they would not have even considered anyone of color. So many real estate entities in Harlem are fronts for "outsiders." Some Black owned RE firms are sell outs.
The only development team (HVRG)that is community based was rejected because of politics. Just because you live in the community doesn't mean you are for the community. Keight Wright lives and works in the community, but he is not a public servant. The only public servant is Charles Barron, we need him in Harlem.

The RFP was full of holes and is questionable. The whole process is questionable and to quote Keight Wright "The shovel ain't in the ground yet."
haarlemvictoria125@yahoo.com for the real back story.

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