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	<title>The New York Observer &#187; John Heilpern</title>
	<link>http://www.observer.com</link>
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		<title>Anything Goes at Shakespeare in the Park!</title>
		<description><![CDATA[<p>I feel that I must reluctantly correct a serious error Oskar Eustis keeps making about his own theater.</p><p class="text">The artistic director of the renowned Public Theater is known for his sometimes manic enthusiasm. He&#8217;s like the Music Man leading the parade while singing a rousing rendition of &#8220;Seventy-Six Trombones&#8221;&#8212;and no particular harm in that. But <a class="more-link" href="http://www.observer.com/2009/theater/anything-goes-shakespeare-park">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/anything-goes-shakespeare-park</link>
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		<title>The Obama Effect &#8230; Wheee!</title>
		<description><![CDATA[<p>It seems to me that the First Couple&#8212;of date-night fame&#8212;represent great news for theater lovers. They not only enjoy going to the theater; they do it <em>together</em>. </p> <p class="text">Were the Bushes ever theatergoers? Or the Clintons? Once in a blue moon, when absolutely necessary. True, Bill Clinton is known to recite entire chunks of <a class="more-link" href="http://www.observer.com/2009/theater/obama-effect-wheee">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/obama-effect-wheee</link>
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		<title>Should a Fuss Be Made Over Colorblind Casting?</title>
		<description><![CDATA[<p>"I was surprised&#8212;shocked, even&#8212;by the letter to <em>The</em> <em>T</em><em>imes</em> last Sunday that vigorously protested Phylicia Rashad being cast in the leading role of the white matriarch of <em>August: Osage County</em>. &#8220;Let&#8217;s keep white actresses playing white roles and blacks playing black roles,&#8221; Ronald Fernandez of Pittsburgh concluded sensationally.</p><p class="text">His controversial letter raises a number of <a class="more-link" href="http://www.observer.com/2009/theater/should-fuss-be-made-over-colorblind-casting">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/should-fuss-be-made-over-colorblind-casting</link>
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		<title>Tony S. at the Tonys</title>
		<description><![CDATA[<p>I would like to begin my highly influential tips for the winners of this season&#8217;s Tony Awards with heartfelt congratulations to <strong>Dolly Parton</strong>.</p> <p class="text">Dolly has been nominated for <strong>Best Score of a Musical</strong> for the music and lyrics of <strong><em>9 to 5</em></strong>. She isn&#8217;t going to win. I just think Dolly&#8217;s amazing.<strong></strong></p> <p class="text">On <a class="more-link" href="http://www.observer.com/2009/theater/tony-s-tonys">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/tony-s-tonys</link>
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		<title>My Plea to Directors: Quit Screwing With Beckett!</title>
		<description><![CDATA[<p>There is, I believe, a catastrophic error of judgment in Anthony Page&#8217;s production of <em>Waiting for Godot</em>, starring Nathan Lane and Bill Irwin.</p><p class="text">Samuel Beckett&#8217;s seminal Modernist masterpiece&#8212;first produced in America in 1956&#8212;is famously set in a void with only a near-barren tree (a Beckett tree: one too fragile upon which to hang yourself). But <a class="more-link" href="http://www.observer.com/2009/theater/my-plea-directors-quit-screwing-beckett">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/my-plea-directors-quit-screwing-beckett</link>
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		<title>Will New York Fall to The Norman Conquests?</title>
		<description><![CDATA[<p>And so to the burning question: Which one of Alan Ayckbourn&#8217;s trilogy of vintage 1973 English comedies, <em>The Norman Conquests</em> at Circle in the Square theater, <em>must</em> you see?</p><p class="text">The first, <em>Table Manners</em>, is my favorite. Not only is it consistently, irresistibly funny; it contains a dinner-party scene so blissfully hilarious that I was on <a class="more-link" href="http://www.observer.com/2009/theater/will-new-york-fall-norman-conquests">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/will-new-york-fall-norman-conquests</link>
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		<title>I’m Tickled by Torture! Durang Deals Serious Comedy</title>
		<description><![CDATA[<p>It's very good news that Christopher Durang, our Poet Laureate of the Absurd, has written a smashing new play.</p><p class="text"><em>Why Torture Is Wrong, and the People Who Love Them</em> at the Public Theater is a black farce that&#8217;s essentially about, well, torture, and a peculiar brand of American paranoia and bigotry&#8212;and I haven&#8217;t had such <a class="more-link" href="http://www.observer.com/2009/theater/im-tickled-torture-durang-deals-serious-comedy">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/im-tickled-torture-durang-deals-serious-comedy</link>
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		<title>Move Over Lear! New Crazed King in Town</title>
		<description><![CDATA[<p>It's a pleasure to acclaim Geoffrey Rush in Eug&#232;ne Ionesco&#8217;s 1962 absurdist masterpiece <em>Exit the King</em>. Put simply, Mr. Rush is giving one of the greatest virtuoso performances I&#8217;ve ever seen.</p><p class="text">And, in the best of all possible ways, it&#8217;s a daringly old-fashioned performance&#8212;the kind we feel exceptionally lucky to witness nowadays. From his first <a class="more-link" href="http://www.observer.com/2009/theater/move-over-lear-new-crazed-king-town">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/move-over-lear-new-crazed-king-town</link>
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		<title>Forever Fonda: Jane Looks Perky as Dying Patient in 33 Variations</title>
		<description><![CDATA[<p>At the risk of seeming ungracious about Jane Fonda, I must confess that I didn&#8217;t quite recognize her when she first came briskly onstage at the start of <em>33 Variations</em>. In her first Broadway role in 46 years, the star, at 71, looks simply marvelous! Not that I expected her to look anything less. But <a class="more-link" href="http://www.observer.com/2009/theater/forever-fonda-jane-looks-perky-dying-patient-33-variations">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/forever-fonda-jane-looks-perky-dying-patient-33-variations</link>
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		<title>Runyon Ruined: Snake Eyes for Revival of Guys and Dolls</title>
		<description><![CDATA[<p>It doesn&#8217;t take a genius to know that what we need right now is a <em>tonic</em>. And what would do the trick better than <em>Guys and Dolls</em>, the greatest love letter ever written to New York City? The show is so good, Adam Gopnik enthused in a recent <em>New Yorker</em>, that it could be a <a class="more-link" href="http://www.observer.com/2009/theater/runyon-ruined-snake-eyes-revival-iguys-and-dollsi">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/runyon-ruined-snake-eyes-revival-iguys-and-dollsi</link>
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		<title>Uncle Vanya with Waterworks; Will Ferrell as Doofus in Chief</title>
		<description><![CDATA[<p>Expression: <em>Chew the scenery</em>.</p><p class="text c2">Definition: <em>To act melodramatically; overact; ham it up.</em></p> <p class="text c2">We&#8217;ve all seen actors chew the scenery from time to time. It goes with the territory. But how many of us can claim to have seen an actor actually gnaw on a set?</p> <p class="text c2">My thanks to the Tony <a class="more-link" href="http://www.observer.com/2009/theater/uncle-vanya-waterworks-will-ferrell-doofus-chief">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/uncle-vanya-waterworks-will-ferrell-doofus-chief</link>
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		<title>Mary-Louise&#8217;s Bare Bum Had Me Hedda-ing for the Exits!</title>
		<description><![CDATA[<p>Has a play ever been revived with more alarming frequency than <em>Hedda Gabler</em> (1890)? As Ibsen&#8217;s ghost was heard protesting in Kristiania, Norway, only last weekend: &#8220;Just when I thought I was out, they pull me back <em>in</em>.&#8221;</p><p class="text"><em>Hedda Gabler</em> is apparently the only play that Henrik Ibsen ever wrote. While the derided revival by <a class="more-link" href="http://www.observer.com/2009/style/mary-louises-bare-bum-had-me-hedda-ing-exits">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/style/mary-louises-bare-bum-had-me-hedda-ing-exits</link>
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		<title>Gypsy Waves Goodbye; Becky Shaw Loses Focus; and The Cripple of Inishmaan Stands Tall</title>
		<description><![CDATA[<p>Is there any job more weird than an actor&#8217;s?</p><p class="text c1">I&#8217;m not so sure that all the world&#8217;s a stage, actually. Actors are different from you and me. They pretend to be other people via a state of deliberate amnesia.</p> <p class="text c1">It&#8217;s commonplace to say that actors must speak the lines as if for <a class="more-link" href="http://www.observer.com/2009/theater/gypsy-waves-goodbye-becky-shaw-loses-focus-and-cripple-inishmaan-stands-tall">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/theater/gypsy-waves-goodbye-becky-shaw-loses-focus-and-cripple-inishmaan-stands-tall</link>
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		<title>Harold Pinter Enters the Silence Of the Long Pause</title>
		<description><![CDATA[Three or four things I know about Harold Pinter who died in London on Christmas Eve, age 78: <p class="text">To visit him in his Holland Park home was to enter unwittingly into a Pinter play. After greeting me at the door of his office—which was in a separate cottage in the grounds of the house <a class="more-link" href="http://www.observer.com/2009/o2/harold-pinter-enters-silence-long-pause">Read More</a></p>]]></description>
		<link>http://www.observer.com/2009/o2/harold-pinter-enters-silence-long-pause</link>
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		<title>Only on Broadway: While the Economy Tanks, Ticket Prices Rise!</title>
		<description><![CDATA[Broadway must be the only industry in America that hasn’t noticed the country is in an economic crisis. Its powerful producers and theater owners aren’t just refusing to acknowledge reality. They’ve even got the chutzpah—or the manic greed—to increase ticket prices. <p style="text-align: left" class="text" align="left">Take the price of an orchestra seat for the new <a class="more-link" href="http://www.observer.com/2008/o2/only-broadway-while-economy-tanks-ticket-prices-rise">Read More</a></p>]]></description>
		<link>http://www.observer.com/2008/o2/only-broadway-while-economy-tanks-ticket-prices-rise</link>
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