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	<title>The New York Observer &#187; Sara Vilkomerson</title>
	<link>http://www.observer.com</link>
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		<title>The Stars Came Out: The Hottest Movies to See From Now Till Thanksgiving</title>
		<description><![CDATA[<p><strong>Due Date</strong>,<strong><em> </em></strong>Nov. 5, Warner Bros.</p> <p>Paging 1987! <em>Due Date</em>, Todd Philips' follow up to last year's surprise smash <em>The Hangover,</em> seems to borrow from an old favorite's formula--cough, <em>Planes, Trains and Automobiles</em>: Take two mismatched strangers, strand them far away from the familiar and force them to band together to find their way home. <a class="more-link" href="http://www.observer.com/2010/culture/stars-came-out-hottest-movies-see-now-till-thanksgiving">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/stars-came-out-hottest-movies-see-now-till-thanksgiving</link>
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		<title>NFL Stages Surprise Marketing Play with Broadway&#8217;s Lombardi</title>
		<description><![CDATA[<p>Starting September 21, theater aficionados outside of Circle in the Square on Broadway will be sharing turf with an unlikely set of ticket-holders: football fans.</p><p>Last April, producers Tony Ponturo and Fran Kirmser announced plans for <em>Lombardi</em>, about inspirational football coach Vince Lombardi, with The National Football League as a producing and marketing partner--the first time <a class="more-link" href="http://www.observer.com/2010/culture/nfl-stages-surprise-marketing-play-broadways-lombardi">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/nfl-stages-surprise-marketing-play-broadways-lombardi</link>
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		<title>Why Fight the Hype? Boardwalk Blows Me Away</title>
		<description><![CDATA[<p>It begins with a close-up of a ticking old-timey pocket watch, the shot widening to reveal a man on a boat bobbing on night-darkened waters. There's a heap of atmospheric silver-blue haze. A foghorn sounds in the distance. Moments later, we see the shining lights in the distance that we're told is Atlantic City, 1920. <a class="more-link" href="http://www.observer.com/2010/culture/why-fight-hype-boardwalk-blows-me-away">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/why-fight-hype-boardwalk-blows-me-away</link>
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		<title>Seven for September 2010</title>
		<description><![CDATA[<p>Leo who? Jump into a pile of fall films from Clooney, Woody, Stone and the brothers Affleck.<a href="/2010/slideshow/131292/town" target="_blank">VIEW SLIDESHOW &#62; SEVEN FOR SEPTEMBER</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/seven-september-2010</link>
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		<title>Welcome to the Jungle!</title>
		<description><![CDATA[<p align="left">The Australian-made <em>Animal Kingdom</em> is among the most gripping, well-paced, acted and directed, and generally thrilling of anything that I've seen (yet) this year.</p> <p align="left">From the opening scene, where we meet a fellow named Joshua (James Frecheville), sitting passively next to his slumped-over unconscious mother and keeping an eye on the TV even <a class="more-link" href="http://www.observer.com/2010/culture/animal-kingdom">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/animal-kingdom</link>
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		<title>Will Michael Cera Ever Grow Up?</title>
		<description><![CDATA[<p align="left">What is going to happen to Michael Cera's career when he really grows up? This is one of the things I found myself wondering about when my attention started wandering during <em>Scott Pilgrim Vs. The World</em>. (Also: How can a movie so clearly directed at an audience with generational ADD drag on so? And <a class="more-link" href="http://www.observer.com/2010/culture/will-michael-cera-ever-grow">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/will-michael-cera-ever-grow</link>
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		<title>Blue-Eyed Nolan Regular, Cillian Murphy, Talks the Puzzles in Inception and Making Smart Movies</title>
		<description><![CDATA[<p>Prepare to forget all about mopey teenage vampires, Airbenders and whatever animated thing is currently ruling the box office. Perhaps 2010's most eagerly anticipated film, <em>Inception</em>-Christopher Nolan's follow-up to 2008's critical and commercial smash <em>The Dark Knight</em>-will hit theaters on July 16 (cue nerd jubilation). <em>Inception</em> shares DNA with <em>The Dark Knight</em>-similarly dark, moody, gorgeous, <a class="more-link" href="http://www.observer.com/2010/culture/murphys-law-cillian-murphy-talks-about-inception">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/murphys-law-cillian-murphy-talks-about-inception</link>
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		<title>We’ve Got a Cruise Loose!</title>
		<description><![CDATA[<p>O.K., so I think I might finally have a handle on Tom Cruise. Not Tom Cruise the "human being," mind you-'cause, get serious, who (save Xenu) has a handle on <em>that-</em>but Tom Cruise, Movie Star. I say this after seeing Mr. Cruise's new film, <em>Knight and Day</em>. The credits rolled, and as I blinked my <a class="more-link" href="http://www.observer.com/2010/culture/weve-got-cruise-loose">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/weve-got-cruise-loose</link>
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		<title>The War Not at Home</title>
		<description><![CDATA[<p>Movies about our current wars have been well-documented box office disasters (do you remember seeing <em>Stop Loss</em>, <em>In the Valley of Elah</em>, <em>Redacted</em>, <em>The Kingdom</em>, <em>Rendition</em>, or <em>Home of the Brave</em>?). <em>The Hurt Locker</em> may have taken home the Academy Award for Best Picture, but it still grossed less money than a summer blockbuster's opening <a class="more-link" href="http://www.observer.com/2010/culture/it-wont-make-you-feel-any-junger-">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/it-wont-make-you-feel-any-junger-</link>
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		<title>Casey at the Bat</title>
		<description><![CDATA[<p>"Hey, look over there. There's a <em>dude</em> out there. What the fuck is he doing?" Casey Affleck, distracted mid-thought in response to a question about his new movie, <em>The Killer Inside Me</em>, stood up to get a better look out the window from his room at the Crosby Street Hotel, at a man dressed in <a class="more-link" href="http://www.observer.com/2010/culture/casey-bat">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/casey-bat</link>
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		<title>It&#8217;s a Summer-Movie &#8216;Splosion!</title>
		<description><![CDATA[<p>Tom, Cameron, Angie and Leo return to the multiplex. But is there still pop in their corn?</p><p><em><p align="right">&#160;</p><p><a href="/2010/slideshow/127223/knight-and-day" target="_self">VIEW SLIDESHOW &#62; COMING DISTRACTIONS</a></p></em></p><p><strong><em><p align="right">&#160;</p>&#160;</em></strong></p>]]></description>
		<link>http://www.observer.com/2010/culture/its-summer-movie-splosion</link>
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		<title>Iron Man Lives Again!</title>
		<description><![CDATA[<p>When <em>Iron Man</em> came out in 2008, critics and audiences pretty much lost their damn minds over it. And why not? The film was exquisitely cast&#8212;everyone had already previously acknowledged just how fantastic an actor Robert Downey Jr. is, but watching him embody the brilliant, witty and debauched Tony Stark, one had to agree that <a class="more-link" href="http://www.observer.com/2010/culture/iron-man-lives-again-iron-man-2">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/iron-man-lives-again-iron-man-2</link>
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		<title>Movies: The Lady Auteur</title>
		<description><![CDATA[<p>April may be the cruelest month for some, but in Hollywood-land, it&#8217;s the start of the big-big blockbuster season that will keep theaters stocked up on exploding 3-D robots, superheroes and star-studded comedies through September. But on April 30, nestled amid clashing titans and ass-kicking comic-book characters, comes a much smaller movie that would be <a class="more-link" href="http://www.observer.com/2010/culture/lady-auteur">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/lady-auteur</link>
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		<title>Single White Female</title>
		<description><![CDATA[<p><strong>CHLOE</strong><em>Running time 99 minutesWritten by Erin Cressida WilsonDirected by Atom EgoyanStarring Julianne Moore, Amanda Seyfried, Liam Neeson</em></p><p></p><p>Sheesh. When will people <em>learn</em>? Under the ironclad laws decreed by movieland, we know that cheating on a spouse leads to nothing but trouble (<em>Fatal Attraction</em>); snooping on a suspected philanderer will only uncover things you really didn&#8217;t want <a class="more-link" href="http://www.observer.com/2010/culture/single-white-female">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/single-white-female</link>
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		<title>I Love Rock &#8216;n&#8217; Roll</title>
		<description><![CDATA[<p>THE RUNAWAYSRUNNING TIME <em>109 minutes </em>WRITTEN AND DIRECTED bY<em>Floria Sigismondi</em>STARRING&#160; <em>Dakota Fanning, Kristen Stewart, Michael Shannon</em></p><p><em>2 Eyeballs out of 4</em></p><p></p><p>Sex, drugs and rock &#8217;n&#8217; roll&#8212;it&#8217;s fun, isn&#8217;t it? As long as there is music to be cranked up on the stereo, so will it always be an alluring fantasy for angsty teens (and grown-up ones) <a class="more-link" href="http://www.observer.com/2010/culture/i-love-rock-n-roll">Read More</a></p>]]></description>
		<link>http://www.observer.com/2010/culture/i-love-rock-n-roll</link>
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