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 <title>Book Review</title>
 <link>http://www.observer.com/blog/36016/%2A/feed</link>
 <description>Recent posts</description>
 <language>en</language>
<item>
 <title>Abu Ghraib Unplugged</title>
 <link>http://www.observer.com/2008/abu-ghraib-unplugged-0</link>
 <description><![CDATA[<!--paging_filter--><p>Standard Operating Procedure<br />By Philip Gourevitch and Errol Morris<br />The Penguin Press, 286 pages, $25.95
<p><em>Standard Operating Procedure</em>—the film—is a mannered, stealthy web, the product of an artful, rather self-important yet depressed spider who sees Abu Ghraib prison as the obligingly ambivalent provocation for &quot;an Errol Morris picture.&quot; <span class='read-more'><a href="http://www.observer.com/2008/abu-ghraib-unplugged-0">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <pubDate>Wed, 14 May 2008 12:19:38 -0400</pubDate>
 <dc:creator>David Thomson</dc:creator>
 <guid isPermaLink="false">69215 at http://www.observer.com</guid>
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<item>
 <title>Liar, Liar</title>
 <link>http://www.observer.com/2008/liar-liar</link>
 <description><![CDATA[<!--paging_filter--><p>Nixonland: The Rise of a President and the Fracturing of America<br />By Rick Perlstein<br />Scribner, 881 pages, $37.50
<p>Every theme park has a theme. Nixonland offers mendacity in all its glory: whoppers, hyperbole, obfuscation, prevarication, perjury, forgery and self-deception. One of Rick Perlstein's favorite verbs is a necessary one: &quot;Nixon lied,&quot; the author writes frequently in Nixonland. Many people lie, but in this expedition into a Coney Island of the psyche, the book's central subject wallows in a culture of deceit. <span class='read-more'><a href="http://www.observer.com/2008/liar-liar">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/liar-liar#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <pubDate>Tue, 13 May 2008 11:54:07 -0400</pubDate>
 <dc:creator>Martin F. Nolan</dc:creator>
 <guid isPermaLink="false">69115 at http://www.observer.com</guid>
</item>
<item>
 <title>The Pundit as Careerist: The Art of Sounding Smart</title>
 <link>http://www.observer.com/2008/pundit-careerist-art-sounding-smart-0</link>
 <description><![CDATA[<!--paging_filter--><p><strong><em>The Post-American World</em>, by Fareed Zakaria. </strong><strong>W. W. Norton, 292 pages, $25.95.</strong><br />
<blockquote>
<p>&#160;</p>
</p></blockquote>
<p>&#160;</p>
<p>Fareed Zakaria’s <em>The Post-American World</em> is one of those peculiar volumes public thinkers of a certain disposition, upon reaching a certain popular standing, seem compelled to write: an omnibus summation of the recent trajectory of their thinking—and, by extension, the state of the world. <span class='read-more'><a href="http://www.observer.com/2008/pundit-careerist-art-sounding-smart-0">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/pundit-careerist-art-sounding-smart-0#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/50373">CNN</category>
 <category domain="http://www.observer.com/taxonomy/term/34003">Fareed Zakaria</category>
 <category domain="http://www.observer.com/taxonomy/term/51702">Newsweek</category>
 <category domain="http://www.observer.com/taxonomy/term/27093">Tom Friedman</category>
 <pubDate>Mon, 12 May 2008 09:43:46 -0400</pubDate>
 <dc:creator>Jonathan Liu</dc:creator>
 <guid isPermaLink="false">69047 at http://www.observer.com</guid>
</item>
<item>
 <title>The Story Behind South Pacific</title>
 <link>http://www.observer.com/2008/story-behind-em-south-pacific-em</link>
 <description><![CDATA[<!--paging_filter--><p>In 1944, Lieutenant-Commander James Michener was serving as a general go-to guy for the Navy on the tiny South Pacific island of Espiritu Santu when he was confronted with an unusual problem: A sailor had been officially discharged from duty but refused to leave the area and return to his family home in Alabama. It turned out that the young man had fallen in love with a local island girl, and she was bearing his child. The sailor had no problem serving in combat against the Japanese fleet, but the idea of telling his parents in L.A. <span class='read-more'><a href="http://www.observer.com/2008/story-behind-em-south-pacific-em">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/story-behind-em-south-pacific-em#comments</comments>
 <pubDate>Fri, 09 May 2008 17:09:11 -0400</pubDate>
 <dc:creator>Will Friedwald</dc:creator>
 <guid isPermaLink="false">69025 at http://www.observer.com</guid>
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<item>
 <title>Mighty Baba Wawa Wolls On</title>
 <link>http://www.observer.com/2008/mighty-baba-wawa-wolls</link>
 <description><![CDATA[<!--paging_filter--><p class="BookReviewNameofBook"><strong>AUDITION</strong><br />by Barbara Walters<br /><em> Alfred A. Knopf, 624 pages, $29.95</em></p>
<p class="3linedrop">Journalists are, by necessity, chameleons, or, as Janet Malcolm famously put it, “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible. He is a kind of confidence man, preying on people’s vanity, ignorance, or loneliness, gaining their trust and betraying them without remorse.”  <span class='read-more'><a href="http://www.observer.com/2008/mighty-baba-wawa-wolls">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/mighty-baba-wawa-wolls#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/people/barack-obama">Barack Obama</category>
 <category domain="http://www.observer.com/taxonomy/term/29781">Barbara Walters</category>
 <pubDate>Tue, 06 May 2008 15:31:09 -0400</pubDate>
 <dc:creator>Doree Shafrir</dc:creator>
 <guid isPermaLink="false">68821 at http://www.observer.com</guid>
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<item>
 <title>The Ties That Bind</title>
 <link>http://www.observer.com/2008/ties-bind-0</link>
 <description><![CDATA[<!--paging_filter--><p><em><strong>Attachment </strong></em></p>
<p><strong>By Isabel Fonseca </strong></p>
<p><strong>Alfred A. Knopf, 306 pages, $23.95  </strong></p>
<p>Oh, to be Isabel Fonseca! A stunning brunette with high cheekbones and that glam international surname that suggests a yummy pairing of fontina and prosecco. Second wife of Martin Amis, easily among the top five writers working in the English language (never mind those scathing reviews of his recent Sept. 11 essay collection; part of genius is just being brave and prolific)—surely they’re not snarling at each other over whose turn it is to clean the cat’s litter box. Author of <em>Bury Me Standing</em>, a Serious Nonfiction Work about gypsies that took her four years of intense, virtuous immersion research ... and now, with consummate versatility, of a novel as fruity and delicious as the cocktails served on the fictional tropical island of St. Jacques, where it’s primarily set. <span class='read-more'><a href="http://www.observer.com/2008/ties-bind-0">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/ties-bind-0#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29506">Isabel Fonseca</category>
 <category domain="http://www.observer.com/taxonomy/term/32099">Martin Amis</category>
 <pubDate>Fri, 02 May 2008 15:23:21 -0400</pubDate>
 <dc:creator>Alexandra Jacobs</dc:creator>
 <guid isPermaLink="false">68693 at http://www.observer.com</guid>
</item>
<item>
 <title>Test-Driving the New Neoconservatism</title>
 <link>http://www.observer.com/2008/test-driving-new-neoconservatism-0</link>
 <description><![CDATA[<!--paging_filter--><p><strong><em>The Return of History and the End of Dreams</em>
<p>&nbsp;</p>
<p>By Robert Kagan</p>
<p>Alfred A. Knopf, 115 pages, $19.95</p>
<p></strong>
<p>Consider the natural history of the Detroit muscle car: The Mustang began life in 1963 as a stripped-down roadster in the European tradition. As the culture and market matured, Ford responded each year with ad hoc modifications and additions, so that by 1972, the same basic car had become a 3,300-pound, 375-horsepower V-8 behemoth. <span class='read-more'><a href="http://www.observer.com/2008/test-driving-new-neoconservatism-0">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/test-driving-new-neoconservatism-0#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/54592">Alfred A. Knopf</category>
 <category domain="http://www.observer.com/people/george-w-bush">George W. Bush</category>
 <category domain="http://www.observer.com/taxonomy/term/24494">Henry Kissinger</category>
 <category domain="http://www.observer.com/taxonomy/term/24268">Iraq</category>
 <category domain="http://www.observer.com/taxonomy/term/54593">Neoconservatism</category>
 <category domain="http://www.observer.com/taxonomy/term/31543">Robert Kagan</category>
 <pubDate>Thu, 01 May 2008 17:27:40 -0400</pubDate>
 <dc:creator>Jonathan Liu</dc:creator>
 <guid isPermaLink="false">68651 at http://www.observer.com</guid>
</item>
<item>
 <title>Vicious Sir Vidia: Out-Snitting the Chilly Brits</title>
 <link>http://www.observer.com/2008/vicious-sir-vidia-out-snitting-chilly-brits</link>
 <description><![CDATA[<!--paging_filter--><p><strong>A WRITER'S PEOPLE: WAYS OF LOOKING AND FEELING</strong><br /> By V. S. Naipaul<br /><em> Alfred A. Knopf, 189 pages, $24.95</em>
<p><span>If the Nobel Prize is the ticket to one’s own funeral, as T. S. Eliot once quipped, then V. S. Naipaul is taking the scenic route. His authorized (but unsupervised) biography has just appeared in the United   Kingdom, where the press mined it for every mention of his nastiness toward his first wife and mistress. But before that drama replays itself here, Mr. Naipaul has published <em>A Writer’s People</em>, a series of essays and reminisces in which he ruminates on the reputations of fellow writers. Derek Walcott, Anthony Powell and even Flaubert come under the knife, and serve as entry points for a kind of negative introspection: Mr. Naipaul defines himself by what he’s not.</span> <span class='read-more'><a href="http://www.observer.com/2008/vicious-sir-vidia-out-snitting-chilly-brits">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/vicious-sir-vidia-out-snitting-chilly-brits#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/41705">V.S. Naipaul</category>
 <pubDate>Tue, 29 Apr 2008 15:56:04 -0400</pubDate>
 <dc:creator>Thomas Meaney</dc:creator>
 <guid isPermaLink="false">68518 at http://www.observer.com</guid>
</item>
<item>
 <title>Arianna Huffs and Puffs</title>
 <link>http://www.observer.com/2008/arianna-huffs-and-puffs</link>
 <description><![CDATA[<!--paging_filter--><p><strong>RIGHT IS WRONG</strong><br />By Arianna Huffington<br /><em> Alfred A. Knopf, 388 pages, $24.95</em>
<p><span>Full disclosure: Arianna Huffington and I once had a somewhat half-hearted discussion about my possibly contributing to her eponymous über-blog, The Huffington Post. Nothing ever came of it, but in my time in Washington—even though Arianna lives mostly in L.A.—she’s been a regular guest at the same parties and meetings and panels as I have. She’s even invited me to some.</span></p>
<p class="text"><span>She’s a unique presence in D.C.: exuberant, friendly, eager to help people network among her vast collection of acquaintances, and, perhaps most unusually for around here, always beautifully dressed. Whenever I see her, it’s our custom to compare shoes. Hers are invariably better.</span> <span class='read-more'><a href="http://www.observer.com/2008/arianna-huffs-and-puffs">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/arianna-huffs-and-puffs#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/53495">Arianna Huffington</category>
 <pubDate>Tue, 29 Apr 2008 12:40:16 -0400</pubDate>
 <dc:creator>Ana Marie Cox</dc:creator>
 <guid isPermaLink="false">68475 at http://www.observer.com</guid>
</item>
<item>
 <title>Let Me Tell You a Story …</title>
 <link>http://www.observer.com/2008/let-me-tell-you-story</link>
 <description><![CDATA[<!--paging_filter--><p><strong>THE HAKAWATI</strong><br /> By Rabih Alameddine<br /><em> Alfred A. Knopf, 513 pages, $25.95</em>
<p><em><span>The Hakawati</span></em><span>, Lebanese-American author Rabih Alameddine’s third novel, is a late entry to a field that includes movies like <em>Pan’s Labyrinth</em> and novels like <em>The Tin Drum</em>—stories that process situations of extreme sadness and moral complexity through the viewpoint of a child. It’s a device with great potential for showing up the childish side of adult politics, and—always the set piece of this genre—how everyday life continues in spite of it all.</span> <span class='read-more'><a href="http://www.observer.com/2008/let-me-tell-you-story">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/let-me-tell-you-story#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/54454">Rabih Alameddine</category>
 <pubDate>Tue, 22 Apr 2008 15:17:51 -0400</pubDate>
 <dc:creator>Damian Da Costa</dc:creator>
 <guid isPermaLink="false">68217 at http://www.observer.com</guid>
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