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 <title>Begley the Bookie</title>
 <link>http://www.observer.com/blog/53380/%2A/feed</link>
 <description>Recent posts</description>
 <language>en</language>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Dylan Falls in Love, Goes Bananas; Delicious Pig Candy</title>
 <link>http://www.observer.com/2008/our-critics-tip-sheet-current-reading-dylan-falls-love-goes-bananas-delicious-em-pig-candy-em</link>
 <description><![CDATA[<!--paging_filter--><p>Suze Rotolo, the girl on his arm on the cover of <em>The Freewheelin' Bob Dylan</em>, is not a writer, and it's unfair to expect anything more from her memoir, <em>A Freewheelin' Time</em> (Broadway, $22.95), than a peek or two into the life of a very young Dylan on the brink of stardom. Unfortunately, we get a great deal more: flat-footed accounts of Ms. Rotolo's unhappy family life, her banal sociological insights into the '60s, her predictable lefty politics and her (still) undigested thoughts about the role of the muse in the creative life of a great artist. <span class='read-more'><a href="http://www.observer.com/2008/our-critics-tip-sheet-current-reading-dylan-falls-love-goes-bananas-delicious-em-pig-candy-em">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critics-tip-sheet-current-reading-dylan-falls-love-goes-bananas-delicious-em-pig-candy-em#comments</comments>
 <pubDate>Mon, 12 May 2008 17:22:56 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">69086 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: McCain’s Scary Hagee; Plymouth Rock; Manhattan Watercolors</title>
 <link>http://www.observer.com/2008/our-critics-tip-sheet-current-reading-mccain-s-scary-hagee-plymouth-rock-manhattan-watercolors</link>
 <description><![CDATA[<!--paging_filter--><p>The scary YouTube videos of televangelist and McCain ally John Hagee don’t quite do justice to his talent as a preacher, at least according to Matt Taibbi’s vicious, funny, heartbreaking tour of the American scene, <em>The Great Derangement</em> (Spiegel &amp; Grau, $24):</p>
<p>&nbsp; <span class='read-more'><a href="http://www.observer.com/2008/our-critics-tip-sheet-current-reading-mccain-s-scary-hagee-plymouth-rock-manhattan-watercolors">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critics-tip-sheet-current-reading-mccain-s-scary-hagee-plymouth-rock-manhattan-watercolors#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <pubDate>Mon, 05 May 2008 14:53:51 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">68744 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Oscar and Walt Scratch Each Other&#039;s Backs; Pep Pills; Lisbon Flattened!</title>
 <link>http://www.observer.com/2008/our-critics-tip-sheet-current-reading-oscar-and-walt-scratch-each-others-backs-pep-pills-lisbon</link>
 <description><![CDATA[<!--paging_filter--><p>Oscar Wilde, on his tour of America in 1882, made not one but two pilgrimages to Camden, N.J., to see Walt Whitman—whose poetry he claimed to have known “from the cradle.” Afterward, the Good Grey Poet told a reporter that Wilde was “genuine, honest, and manly.” He added, for emphasis, “He is so frank, and outspoken, and manly.” Wilde, in return, compared Whitman to Goethe and Schiller: “There is something so Greek and sane about his poetry; it is so universal, so comprehensive.”<br />
<p class="MsoNormal">This comical instance of brazen late-19th-century logrolling comes from Michael Robertson’s <em>Worshipping Walt</em> (Princeton, $27.95), which introduces us to a handful of the “hot little prophets” who made a cult of Whitman, and also reminds us of the religious purpose of his poetry—with <em>Leaves of Grass</em> as gospel. <span class='read-more'><a href="http://www.observer.com/2008/our-critics-tip-sheet-current-reading-oscar-and-walt-scratch-each-others-backs-pep-pills-lisbon">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critics-tip-sheet-current-reading-oscar-and-walt-scratch-each-others-backs-pep-pills-lisbon#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/54520">Mike Davis</category>
 <category domain="http://www.observer.com/taxonomy/term/54519">Nicholas Shrady</category>
 <category domain="http://www.observer.com/taxonomy/term/54518">Nicolas Rasmussen</category>
 <category domain="http://www.observer.com/taxonomy/term/32793">Oscar Wilde</category>
 <category domain="http://www.observer.com/taxonomy/term/44015">Voltaire</category>
 <category domain="http://www.observer.com/taxonomy/term/27046">Walt Whitman</category>
 <pubDate>Mon, 28 Apr 2008 17:34:48 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">68436 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Abraham Obama; The Call of the Wild; A Gem from Richard Bausch; No Bun = No Burger</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-13</link>
 <description><![CDATA[<!--paging_filter--><p>Garry Wills, writing in <em>The New York Review of Books</em> (<a href="http://www.nybooks.com">www.nybooks.com</a>), compares Barack Obama’s speech on race last month in Philadelphia with the address Abraham Lincoln delivered at the Cooper Union in New York on Feb. 27, 1860. In fact, the two speeches are very different, the glaring distinction being that Lincoln’s knotty, cerebral discourse appeals principally to reason, whereas Mr. Obama’s forthright simplicity appeals principally to the emotions. But Mr. Wills’ first few paragraphs are nonetheless astonishing for the parallels drawn between the 19th- and 21st-century candidates:  <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-13">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-13#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/people/barack-obama">Barack Obama</category>
 <category domain="http://www.observer.com/taxonomy/term/54361">Bill McKibben</category>
 <category domain="http://www.observer.com/taxonomy/term/54362">Gary Willis</category>
 <category domain="http://www.observer.com/taxonomy/term/54363">Josh Ozersky</category>
 <category domain="http://www.observer.com/taxonomy/term/37777">Richard Bausch</category>
 <pubDate>Mon, 21 Apr 2008 13:18:20 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">68098 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: &#039;It&#039; Girls; Manhattan Schoolgirls; and a Murdered Medici Princess</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-12</link>
 <description><![CDATA[<!--paging_filter--><p>It’s spring at last, and girls are pushing up everywhere like daisies.</p>
<p class="MsoNormal">&nbsp;</p>
<p class="MsoNormal">PLAYWRIGHT THERESA REBECK showcases a Brooklyn trio in her lively, entertaining and accurately titled first novel, <em>Three Girls and Their Brother</em> (Shaye Areheart, $23.95), a romp through the looking-glass world of fashion shoots and instant celebrity. Amelia (14), Polly (17) and Daria (18), red-haired beauties all, granddaughters of the celebrated literary critic Leo Heller, rocket into the limelight when <em>The New Yorker</em> features them in a photo spread. (Remember that vampy portrait of the Hilton sisters in the “Next Generation” issue back in 1999? )  <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-12">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-12#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <pubDate>Mon, 14 Apr 2008 13:03:21 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">67798 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Against the Semicolon; Vonnegut in Dresden; Women at War</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-11</link>
 <description><![CDATA[<!--paging_filter--><p>Last week <em>The Guardian</em> (<a href="http://www.guardian.co.uk" title="www.guardian.co.uk">www.guardian.co.uk</a>) canvassed writers living and dead—an eclectic selection including Jonathan Franzen, Zoë Heller, George Bernard Shaw and Gertrude Stein—for their opinion of the semicolon. Perhaps the most vehement response came from the late Kurt Vonnegut: “If you really want to hurt your parents, and you don’t have the nerve to be a homosexual, the least you can do is go into the arts. But do not use semicolons. They are transvestite hermaphrodites, standing for absolutely nothing. All they do is show you’ve been to college.”  <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-11">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-11#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34501">Dresden</category>
 <category domain="http://www.observer.com/taxonomy/term/34707">Kurt Vonnegut</category>
 <pubDate>Mon, 07 Apr 2008 14:56:14 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">67477 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Osama&#039;s Siblings; Osama&#039;s Whereabouts; and the War on Osama</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-10</link>
 <description><![CDATA[<!--paging_filter--><p>In his forthcoming <i>Observer</i> review of <em>The Second Plane</em>, Tom Bissell admires this throwaway Martin Amis line: “I found myself frivolously wondering whether Osama was just the product … of his birth order. Seventeenth out of fifty-seven is a notoriously difficult slot to fill.” Funny, but not entirely accurate—or so I gather from Steve Coll’s <em>The Bin Ladens</em> (Penguin Press, $35), an epic history of the vast and vastly rich Saudi Arabian family that spawned W.’s nemesis. Meticulous and compulsively readable, Mr. Coll’s book has a huge cast of characters, swollen by the legion of Osama siblings—the exact number of which is apparently tricky to establish. (One declassified F.B.I. e-mail from 2003 referred to the “millions” of bin Ladens “running around”—and added, reassuringly, that “99.999999% of them are of the non-evil variety.”) Mr. Coll counts 54 children of Mohamed bin Laden, and notes that Mohamed “fathered seven children during the year of Osama’s birth—five sons and two daughters.” His cautious conclusion is that “Osama arrived among the Bin Ladens as somewhere between son number seventeen and son number twenty-one.” <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-10">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-10#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/48375">Morgan Spurlock</category>
 <category domain="http://www.observer.com/taxonomy/term/24943">Osama bin Laden</category>
 <category domain="http://www.observer.com/taxonomy/term/54045">Steve Coll</category>
 <pubDate>Mon, 31 Mar 2008 13:52:15 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">67149 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: The Darker Side of Obama; The Largest Human Being of Our Time</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-9</link>
 <description><![CDATA[<!--paging_filter--><p>A Brit writing in a British literary journal has put his finger precisely on the pulse of Barack Obama’s rhetoric. “Those who hear only empty optimism in Obama aren’t listening,” Jonathan Raban proclaims in the <em>London Review of Books</em> (<a href="http://www.lrb.co.uk" title="www.lrb.co.uk">www.lrb.co.uk</a>):<br />
<p class="MsoNormal">“The light in Obama’s rhetoric—the chants of ‘Yes, we can’ or his woo-woo line, lifted from Maria Shriver’s endorsement speech, ‘We are the ones we have been waiting for’—is in direct proportion to the darkness, and he paints a blacker picture of America than any Democratic presidential candidate in living memory has dared to do. He courts his listeners, not as legions of the blissful, but as legions of the alienated, adrift in a country no longer recognizable as their own, and challenges them to emulate slaves in their struggle for emancipation, impoverished European immigrants seeking a new life on a far continent, and soldiers of the ‘greatest generation’ who volunteered to fight Fascism and Nazism. <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-9">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-9#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/people/barack-obama">Barack Obama</category>
 <category domain="http://www.observer.com/taxonomy/term/42702">Winston Churchill</category>
 <pubDate>Mon, 24 Mar 2008 12:35:34 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">66831 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet On Current Reading: The Crimes of Abu Ghraib; Pin the Tail on the Donkey; John Updike Goes Down</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-8</link>
 <description><![CDATA[<!--paging_filter--><p>You know exactly what you’re going to get when you open the latest <em>New Yorker</em> (March 24, $4.50) and see an excerpt from Philip Gourevitch and Errol Morris’ <em>Standard Operating Procedure</em>, which is due out in mid-May, a few weeks after the release of Mr. Morris’ documentary of the same name. It’s a recurring nightmare, starring Specialist Sabrina Harman—the MP with the camera—and the things she did and saw done to prisoners on Tier 1A of the military intelligence block at Abu Ghraib. The account is direct, detailed and unambiguous in its implications. Is there any part of the passage below that’s in any way unclear?   <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-8">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-8#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/26864">Abu Ghraib</category>
 <category domain="http://www.observer.com/taxonomy/term/31991">John Updike</category>
 <pubDate>Mon, 17 Mar 2008 14:46:58 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">66549 at http://www.observer.com</guid>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Female Fibs; Liebling at War; Mailer and Auchincloss, Separated at Birth</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-6</link>
 <description><![CDATA[<!--paging_filter--><p><em>Little White Lies, Deep Dark Secrets: The Truth About Why Women Lie</em> (St.  Martin’s Press, $23.95) is the latest from “gender expert” Susan Shapiro Barash. I picked it up out of idle curiosity (are women’s reasons for lying really different from men’s?) and would have put it straight back down (the writing is shockingly bad), but I was struck by the bold amorality of Ms. Barash’s approach: “I neither condemn nor condone the lies women tell,” she solemnly declares. Turns out that’s a lie. In fact, she thinks fibs are fab. Here’s the final sentence of her book, the sum of the wisdom she’s squeezed from “extensive personal interviews with women and experts in the field of psychology and counseling”:
<p>“In my research for <em>Little White Lies, Deep Dark Secrets</em>, I’ve come to recognize lying as an inestimable weapon in the female arsenal as women search for personal retribution and satisfaction.” Inestimable weapon? Female arsenal? Personal retribution? Looks like the gender wars are heating up. <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-6">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-6#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/53570">A.J. Liebling</category>
 <category domain="http://www.observer.com/taxonomy/term/40627">Louis Auchincloss</category>
 <category domain="http://www.observer.com/people/norman-mailer">Norman Mailer</category>
 <pubDate>Mon, 03 Mar 2008 14:45:54 -0500</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">65864 at http://www.observer.com</guid>
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