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 <title>NY Observer &gt; Harold Pinter</title>
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 <title>The Quiet Menace of Pinter Deployed in the War of the Sexes</title>
 <link>http://www.observer.com/2007/quiet-menace-pinter-deployed-war-sexes</link>
 <description><![CDATA[<!--paging_filter--><p><span>Harold Pinter’s <em>The Homecoming</em> (1965) is the dysfunctional family play of the modern era that redefined domestic drama. It established Mr. Pinter’s international reputation, and remains the most emotionally and verbally violent of all his memorable portraits of suppressed feeling. <span class='read-more'><a href="http://www.observer.com/2007/quiet-menace-pinter-deployed-war-sexes">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2007/quiet-menace-pinter-deployed-war-sexes#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <pubDate>Tue, 18 Dec 2007 22:40:56 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">62154 at http://www.observer.com</guid>
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 <title>A Sour Chomsky Shows Disrespect to a Young, Paying Audience</title>
 <link>http://www.observer.com/node/33680</link>
 <description><![CDATA[<!--paging_filter-->Last night Noam Chomsky was to give a lecture at the Miller Theater at Columbia University in N.Y. The Miller Theater was sold out 2 weeks back for the event, $5 a head. Probably 500 people. The outside walls of the theater were plastered with posters calling Chomsky un-American. When I came in a tall African guy was trying to chivvy tickets from others. Later I saw where he had gotten in. There was a table of Chomsky's books out front and a crowd of young hipsters. Pretty Asian girls, guys with snowboarding jackets. Not a lot of oldsters (except for mwah, of course). I had to sit in a back row, a disappointment. I wanted to watch his face, this son of a great Hebrew scholar who can take apart Zionism like an old radio.

<p>The lights went down, a screen lit up. We got to watch Harold Pinter's speech accepting the Nobel Prize in Litteratoor from 2005. The playwright wore a red lap blanket and said the crimes of the U.S. were legion and unreported, from Nicaragua to Chile to Indonesia to Iraq, and Tony Blair was the U.S.'s poodle. The speech went on for 40 minutes, it felt like; and was a little motheaten.</p>

After the speech the lights came up and without fanfare Chomsky came to the podium. He said he was going to take questions now. Well I thought that was odd. The event was advertised as a lecture from Chomsky. No. He was just taking questions, after Pinter's taped old speech. 

<p>There were a half dozen questions, and then Chomsky said, OK, Thank you, and walked off the stage. A short burst of applause, and that was the end of it. He had answered questions for 15 or 20 minutes, it felt like. Most of it was a tired attack on the big corporations, and&#151;a newer thread&#151;celebrating the democratic movement of integration that is occurring now in South America. I wanted more, much much more. I wanted to see that mind in real exercise, on the jumbotron. (I wanted to hear more about Israel than the idea that it is America's client, trying out 100 new warplanes&#151;his one statement about Israel.)</p>

As it was, the event seemed faintly squalid. The mind at the end of the day, in its nightclothes, wandering around a house. It was so casual as to be insulting to us, all the folks who had paid to hear him. And I heard a lot of grumbling as I went out on to Broadway. 

<p>When someone had asked a more difficult question, Chomsky said, Well that is a complex question, I've written about it. As if to say, don't make me jump thru any hoops, kid, you can go buy the book.</p>

He had one interesting idea/emotion. Maybe I will get his actual words off my taperecorder later (for now I'm infected by his laziness). He kept saying that If we wanted to stop the war, we could. We possessed the power. He said that the people of Venezuela had shown great resolution, and any people was capable of democratic resolution, if they only cared. There was something wonderful and sour about this idea. He was judging us pitilessly, and saying, You are responsible for this war because you are doing diddly and you have all the rights in the world. You could be holding your elected representatives' feet to the fire. A student asked him to endorse the Feb. 15 strike by students, and Chomsky had said, Well that's good, maybe you will actually do something. Another time he described us as privileged with free speech, and we face no risks to expressing ourselves, unlike South Americans, or Russians, or Saudis.

<p>It was a theme that wanted to be developed, in a grand speech. No grandeur. Just nightclothes. <span class='read-more'><a href="http://www.observer.com/node/33680">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>

A few possible explanations:
]]></description>
 <comments>http://www.observer.com/node/33680#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/24689">Israel</category>
 <category domain="http://www.observer.com/taxonomy/term/28963">Noam Chomsky</category>
 <category domain="http://www.observer.com/taxonomy/term/29553">Robert Frost</category>
 <pubDate>Tue, 06 Feb 2007 04:44:41 -0500</pubDate>
 <dc:creator>Observer Staff</dc:creator>
 <guid isPermaLink="false">33680 at http://www.observer.com</guid>
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<item>
 <title>The Wrong Kind of People:  I’m Farmisht With Charles Grodin!</title>
 <link>http://www.observer.com/node/38393</link>
 <description><![CDATA[<!--paging_filter-->Charles Grodin has written a play about co-op board meetings in a Fifth Avenue building. <span class='read-more'><a href="http://www.observer.com/node/38393">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/38393#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/26900">Abraham Lincoln</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/29987">Idaho</category>
 <category domain="http://www.observer.com/taxonomy/term/24529">San Francisco</category>
 <pubDate>Sun, 19 Feb 2006 19:00:00 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">38393 at http://www.observer.com</guid>
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<item>
 <title>The Winners of the Heilpern Awards 2001 Are...</title>
 <link>http://www.observer.com/node/45394</link>
 <description><![CDATA[<!--paging_filter-->The nation–and the theater community in particular–can wait no longer. <span class='read-more'><a href="http://www.observer.com/node/45394">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/45394#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/43091">Christina Kirk</category>
 <category domain="http://www.observer.com/taxonomy/term/33411">Elaine Stritch</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/43092">Henry Woolf</category>
 <pubDate>Sun, 23 Dec 2001 19:00:00 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">45394 at http://www.observer.com</guid>
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<item>
 <title>The John Heilpern Awards 2000:And the Winners Are…</title>
 <link>http://www.observer.com/node/43788</link>
 <description><![CDATA[<!--paging_filter-->Here are my eagerly awaited Theater Awards of the Year. Remember, the only rules are no rules. <span class='read-more'><a href="http://www.observer.com/node/43788">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/43788#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/33302">David Auburn</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/32153">Juliette Binoche</category>
 <category domain="http://www.observer.com/taxonomy/term/28992">Tony Kushner</category>
 <pubDate>Sun, 24 Dec 2000 19:00:00 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">43788 at http://www.observer.com</guid>
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<item>
 <title>Pinter, Plagues and Two Aussie Peckers Light Up London Stages</title>
 <link>http://www.observer.com/node/43674</link>
 <description><![CDATA[<!--paging_filter-->To London for a celebratory anniversary-a perfect 70th birthday gift for Harold Pinter, nowadays tre <span class='read-more'><a href="http://www.observer.com/node/43674">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/43674#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/24385">London</category>
 <category domain="http://www.observer.com/taxonomy/term/41001">Michael Gambon</category>
 <category domain="http://www.observer.com/taxonomy/term/27507">United Kingdom</category>
 <pubDate>Sun, 26 Nov 2000 19:00:00 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">43674 at http://www.observer.com</guid>
</item>
<item>
 <title>Juliette Binoche Beguiles in Harold Pinter&#039;s Betrayal</title>
 <link>http://www.observer.com/node/43647</link>
 <description><![CDATA[<!--paging_filter-->There are three very good reasons to rush to see the new production of Harold Pinter's 1978 Betrayal <span class='read-more'><a href="http://www.observer.com/node/43647">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/43647#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/32153">Juliette Binoche</category>
 <category domain="http://www.observer.com/taxonomy/term/32595">Liev Schreiber</category>
 <category domain="http://www.observer.com/taxonomy/term/24738">William Butler Yeats</category>
 <pubDate>Sun, 19 Nov 2000 19:00:00 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">43647 at http://www.observer.com</guid>
</item>
<item>
 <title>Knock! Tom Stoppard Writes a Cricket Bat</title>
 <link>http://www.observer.com/node/42940</link>
 <description><![CDATA[<!--paging_filter-->As I was saying about Tom Stoppard: Few people would deny he's a clever sausage, including Tom Stopp <span class='read-more'><a href="http://www.observer.com/node/42940">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42940#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/30573">Mae West</category>
 <category domain="http://www.observer.com/taxonomy/term/31739">Tom Stoppard</category>
 <category domain="http://www.observer.com/taxonomy/term/27507">United Kingdom</category>
 <pubDate>Sun, 14 May 2000 20:00:00 -0400</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">42940 at http://www.observer.com</guid>
</item>
<item>
 <title>A Trip to the Nuthouse With Harold Pinter</title>
 <link>http://www.observer.com/node/41190</link>
 <description><![CDATA[<!--paging_filter-->About halfway through Ashes to Ashes , which Harold Pinter wrote three years ago, I thought that if  <span class='read-more'><a href="http://www.observer.com/node/41190">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/41190#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/37924">Atlantic Theater</category>
 <category domain="http://www.observer.com/taxonomy/term/29552">Harold Pinter</category>
 <category domain="http://www.observer.com/taxonomy/term/37925">Lindsay Duncan</category>
 <category domain="http://www.observer.com/taxonomy/term/37926">Tony Walton</category>
 <pubDate>Sun, 07 Mar 1999 19:00:00 -0500</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">41190 at http://www.observer.com</guid>
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