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 <title>NY Observer &gt; Willem de Kooning</title>
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 <title>From Most Irascible of All To Triumphant Old Master</title>
 <link>http://www.observer.com/node/36626</link>
 <description><![CDATA[<!--paging_filter-->Integrity exacts a price from an artist. Take the case of painter George McNeil (1908-1995). <span class='read-more'><a href="http://www.observer.com/node/36626">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/36626#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/32184">George McNeil</category>
 <category domain="http://www.observer.com/taxonomy/term/32185">James Brooks</category>
 <category domain="http://www.observer.com/taxonomy/term/32186">Nina Leen</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 28 Jan 2007 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Reckoning, If Not Repaying,  New World’s Debt to Picasso</title>
 <link>http://www.observer.com/node/36186</link>
 <description><![CDATA[<!--paging_filter-->&ldquo;One of the most ambitious &hellip; undertakings in the Whitney&rsquo;s history&rdquo; is how  <span class='read-more'><a href="http://www.observer.com/node/36186">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/36186#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/31539">Arshile Gorky</category>
 <category domain="http://www.observer.com/taxonomy/term/31538">Jasper Johns</category>
 <category domain="http://www.observer.com/taxonomy/term/31537">Pablo Picasso</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 29 Oct 2006 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>New York School Learnt  From Soutine’s Tempestuous Hand</title>
 <link>http://www.observer.com/node/39145</link>
 <description><![CDATA[<!--paging_filter-->Let&rsquo;s get the ugly truth out of the way: Galleries are commercial enterprises&mdash;in short,  <span class='read-more'><a href="http://www.observer.com/node/39145">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/39145#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/35214">Chaim Soutine</category>
 <category domain="http://www.observer.com/taxonomy/term/35215">Colin Thomson</category>
 <category domain="http://www.observer.com/taxonomy/term/33449">Rembrandt</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 23 Jul 2006 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>New York School Learnt From Soutine&#039;s Tempestuous Hand</title>
 <link>http://www.observer.com/node/52460</link>
 <description><![CDATA[<!--paging_filter-->Let’s get the ugly truth out of the way: Galleries are commercial enterprises—in short, they’r <span class='read-more'><a href="http://www.observer.com/node/52460">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/52460#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/35214">Chaim Soutine</category>
 <category domain="http://www.observer.com/taxonomy/term/35215">Colin Thomson</category>
 <category domain="http://www.observer.com/taxonomy/term/49482">Joyce Robins</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 23 Jul 2006 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>How Much For the De Kooning (Apartment)?</title>
 <link>http://www.observer.com/node/34715</link>
 <description><![CDATA[<!--paging_filter--><div class="photoCaption" /><img alt="dekooning.jpg" src="http://therealestate.observer.com/dekooning.jpg" width="187" height="250" /><br />Lisa de Kooning's old U.E.S. apartment.</div /> Lisa de Kooning, daughter of Abstract Expressionist painter Willem de Kooning, has just sold her Upper East Side condo for $1.45 million, according to deed transfer records. 

<p>Back in November, Ms. de Kooning dropped close to $3 million on a Jane Street condo, nearby the old AbEx stomping grounds, as reported in <em>The Observer</em>.</p>

Also, <em>Sopranos</em> star James Gandolfini once lived in the Greenwich Village building; that is, before he got divorced and sold the multi-unit pad to his ex-wife. 

<p>Certainly the de Kooning estate is doing alright these days, with sales of the master's works thriving. Last night, Christie's postwar and contemporary sale brought in over $143 million--with several <a href="http://www.nytimes.com/2006/05/10/arts/design/10auction.html">de Kooning works</a> in the mix. An untitled painting (1961) sold for $10 million, and Two Women (Study for Clamdigger) fetched $5.7 million.</p>

- <em>Michael Calderone</em>]]></description>
 <comments>http://www.observer.com/node/34715#comments</comments>
 <category domain="http://www.observer.com/channel/real-estate">Real Estate</category>
 <category domain="http://www.observer.com/taxonomy/term/26581">Greenwich Village</category>
 <category domain="http://www.observer.com/taxonomy/term/30433">James Gandolfini</category>
 <category domain="http://www.observer.com/taxonomy/term/30432">Lisa de Kooning</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Wed, 10 May 2006 09:00:00 -0400</pubDate>
 <dc:creator>Observer Staff</dc:creator>
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 <title>Despite Prefab Proficiency,  Klee’s Enigmas Still Charm</title>
 <link>http://www.observer.com/node/38637</link>
 <description><![CDATA[<!--paging_filter-->Egon Schiele and Paul Klee are both crowd pleasers, but how radically different are the pleasures th <span class='read-more'><a href="http://www.observer.com/node/38637">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/38637#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/29653">Diego Rivera</category>
 <category domain="http://www.observer.com/taxonomy/term/34611">Ed Moses</category>
 <category domain="http://www.observer.com/taxonomy/term/32202">Paul Klee</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 02 Apr 2006 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Nadine Johnson’s $3.2 M. Deal</title>
 <link>http://www.observer.com/node/37987</link>
 <description><![CDATA[<!--paging_filter-->Life in the fishbowl isn&rsquo;t the thing for Nadine Johnson, the Belgian-born &uuml;ber-publicist  <span class='read-more'><a href="http://www.observer.com/node/37987">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/37987#comments</comments>
 <category domain="http://www.observer.com/channel/real-estate">Real Estate</category>
 <category domain="http://www.observer.com/taxonomy/term/29565">Prudential Douglas Elliman Real Estate</category>
 <category domain="http://www.observer.com/people/richard-johnson">Richard Johnson</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <category domain="http://www.observer.com/taxonomy/term/33798">Yolande Fielding-Scheftel</category>
 <pubDate>Sun, 27 Nov 2005 19:00:00 -0500</pubDate>
 <dc:creator>Michael Calderone</dc:creator>
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 <title>Nadine Johnson&#039;s $3.2 M. Deal</title>
 <link>http://www.observer.com/node/51545</link>
 <description><![CDATA[<!--paging_filter-->Life in the fishbowl isn’t the thing for Nadine Johnson, the Belgian-born über-publicist and form <span class='read-more'><a href="http://www.observer.com/node/51545">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/51545#comments</comments>
 <category domain="http://www.observer.com/channel/real-estate">Real Estate</category>
 <category domain="http://www.observer.com/taxonomy/term/30433">James Gandolfini</category>
 <category domain="http://www.observer.com/people/richard-johnson">Richard Johnson</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <category domain="http://www.observer.com/taxonomy/term/33798">Yolande Fielding-Scheftel</category>
 <pubDate>Sun, 27 Nov 2005 19:00:00 -0500</pubDate>
 <dc:creator>Michael Calderone</dc:creator>
 <guid isPermaLink="false">51545 at http://www.observer.com</guid>
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 <title>Seldom-Cited Master Hans Hofmann Returns To Reacquaint Viewers</title>
 <link>http://www.observer.com/node/50345</link>
 <description><![CDATA[<!--paging_filter-->There are currents of influence on the contemporary art scene so pervasive that, in retrospect, they <span class='read-more'><a href="http://www.observer.com/node/50345">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/50345#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/32417">Clement Greenberg</category>
 <category domain="http://www.observer.com/taxonomy/term/33718">Hans Hofmann</category>
 <category domain="http://www.observer.com/taxonomy/term/31826">Jackson Pollock</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 16 Jan 2005 19:00:00 -0500</pubDate>
 <dc:creator>Hilton Kramer</dc:creator>
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 <title>Currently Hanging</title>
 <link>http://www.observer.com/node/49269</link>
 <description><![CDATA[<!--paging_filter-->Allusive, Eccentric Complex:A Different Kind of de Kooning
 <span class='read-more'><a href="http://www.observer.com/node/49269">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49269#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/47182">Conrad Marca-Relli</category>
 <category domain="http://www.observer.com/taxonomy/term/47183">Jan Muller</category>
 <category domain="http://www.observer.com/taxonomy/term/47184">The Mosaic Company</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 23 May 2004 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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