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 <title>A Radical Conservative</title>
 <link>http://www.observer.com/2008/radical-conservative</link>
 <description><![CDATA[<!--paging_filter--><p>Jerry Saltz, art critic for <em>New York</em> magazine, appeared on a panel a few years back where he described the painter Rackstraw Downes as “strong conservative.” We know what “strong” is: forceful, confident and of a high quality. But “conservative”—what on earth can that mean?<br />
<p class="text"><span>Mr. Downes is a representational painter—this is to say, an artist who creates recognizable images. But so are Will Cotton, Neo Rauch and Carroll Dunham. No one runs around pegging them as “conservative,” so that can’t be it.</span> <span class='read-more'><a href="http://www.observer.com/2008/radical-conservative">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/radical-conservative#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/31432">Rackstraw Downes</category>
 <pubDate>Tue, 19 Feb 2008 11:46:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Bearden’s Collages Encompass  Bruegel’s Babel, Harlem Blues</title>
 <link>http://www.observer.com/node/36122</link>
 <description><![CDATA[<!--paging_filter-->In his essay What the Sixties Meant to Me, the painter Rackstraw Downes writes of an encounter with  <span class='read-more'><a href="http://www.observer.com/node/36122">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/36122#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/31434">Max Beckmann</category>
 <category domain="http://www.observer.com/taxonomy/term/31433">Pieter Bruegel</category>
 <category domain="http://www.observer.com/taxonomy/term/31432">Rackstraw Downes</category>
 <category domain="http://www.observer.com/taxonomy/term/25137">Sears Holding Corporation</category>
 <pubDate>Sun, 22 Oct 2006 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Bearden&#039;s Collages Encompass Bruegel&#039;s Babel, Harlem Blues</title>
 <link>http://www.observer.com/node/52826</link>
 <description><![CDATA[<!--paging_filter-->In his essay What the Sixties Meant to Me, the painter Rackstraw Downes writes of an encounter with  <span class='read-more'><a href="http://www.observer.com/node/52826">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/52826#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/31433">Pieter Bruegel</category>
 <category domain="http://www.observer.com/taxonomy/term/31432">Rackstraw Downes</category>
 <category domain="http://www.observer.com/taxonomy/term/46134">Romare Bearden</category>
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 <pubDate>Sun, 22 Oct 2006 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Danish Artist Tine Lundsfryd’s Delineates True Abstraction</title>
 <link>http://www.observer.com/node/49916</link>
 <description><![CDATA[<!--paging_filter-->A good portion of the paintings in Tine Lundsfryd’s first one-person exhibition at Lori Bookstein  <span class='read-more'><a href="http://www.observer.com/node/49916">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49916#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/47810">Bridget Riley</category>
 <category domain="http://www.observer.com/taxonomy/term/31432">Rackstraw Downes</category>
 <category domain="http://www.observer.com/taxonomy/term/44367">Tine Lundsfryd</category>
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 <pubDate>Sun, 17 Oct 2004 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Danish Artist Tine Lundsfryd’s  Delineates True Abstraction</title>
 <link>http://www.observer.com/node/49922</link>
 <description><![CDATA[<!--paging_filter-->A good portion of the paintings in Tine Lundsfryd’s first one-person exhibition at Lori Bookstein  <span class='read-more'><a href="http://www.observer.com/node/49922">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49922#comments</comments>
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 <pubDate>Sun, 17 Oct 2004 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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