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 <title>Sleeper</title>
 <link>http://www.observer.com/2008/sleeper</link>
 <description><![CDATA[<!--paging_filter--><p>In the past 30 years Thomas Nozkowski’s allusive yet enigmatically abstract paintings have gradually acquired a cultlike devotion. This patient, quietly determined artist is the anti-hype—his paintings are <em>slow</em>.<br />
<p class="text"><span>Lately, however, Mr. Nozkowski has been getting a lot of attention. His paintings were featured at the Venice Biennale last summer; a mini-retrospective at Long  Island City’s Emily Fisher  Landau Center just closed; and two of his paintings from MoMA’s permanent collection are currently on display. <span class='read-more'><a href="http://www.observer.com/2008/sleeper">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/sleeper#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <pubDate>Tue, 22 Apr 2008 12:19:52 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Munch&#039;s Nightmarish Narcissism Prophesied Century&#039;s Obsessions</title>
 <link>http://www.observer.com/node/51962</link>
 <description><![CDATA[<!--paging_filter-->Here’s an ironclad guarantee: Visitors to Edvard Munch: The Modern Life of the Soul, an overview o <span class='read-more'><a href="http://www.observer.com/node/51962">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/51962#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/27766">Edvard Munch</category>
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 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <category domain="http://www.observer.com/taxonomy/term/49286">Thomas Nozkowskis</category>
 <pubDate>Sun, 12 Mar 2006 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">51962 at http://www.observer.com</guid>
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 <title>I See a Canvas  And I Want It Painted Black</title>
 <link>http://www.observer.com/node/37398</link>
 <description><![CDATA[<!--paging_filter-->Perhaps it&rsquo;s the long-dormant Rolling Stones fan buried within the recesses of my psyche, but  <span class='read-more'><a href="http://www.observer.com/node/37398">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/37398#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/32483">Bill Jensen</category>
 <category domain="http://www.observer.com/taxonomy/term/33029">Norman Bluhm</category>
 <category domain="http://www.observer.com/taxonomy/term/33027">Phong Bui</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <pubDate>Sun, 31 Jul 2005 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">37398 at http://www.observer.com</guid>
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 <title>Currently Hanging</title>
 <link>http://www.observer.com/node/49213</link>
 <description><![CDATA[<!--paging_filter-->Exploiting Irresolution, SussmanPaints Coherent Abstractions
 <span class='read-more'><a href="http://www.observer.com/node/49213">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49213#comments</comments>
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 <category domain="http://www.observer.com/taxonomy/term/41566">Harriet Korman</category>
 <category domain="http://www.observer.com/taxonomy/term/47101">Robert Sussman</category>
 <category domain="http://www.observer.com/taxonomy/term/47102">Robert Yoder</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <pubDate>Sun, 09 May 2004 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">49213 at http://www.observer.com</guid>
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<item>
 <title>Exploiting Irresolution, Sussman Paints Coherent Abstractions</title>
 <link>http://www.observer.com/node/49182</link>
 <description><![CDATA[<!--paging_filter-->All sorts of clichés popped into my head while looking at the abstract paintings of Robert Sussman, <span class='read-more'><a href="http://www.observer.com/node/49182">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49182#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/41566">Harriet Korman</category>
 <category domain="http://www.observer.com/taxonomy/term/47101">Robert Sussman</category>
 <category domain="http://www.observer.com/taxonomy/term/47102">Robert Yoder</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <pubDate>Sun, 02 May 2004 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">49182 at http://www.observer.com</guid>
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 <title>The Rich Rewards of Engagement With Dense, Demanding Work</title>
 <link>http://www.observer.com/node/47049</link>
 <description><![CDATA[<!--paging_filter-->In its own quietly determined way, the New York Studio School has become one of the city's most sign <span class='read-more'><a href="http://www.observer.com/node/47049">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/47049#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/44909">Nicky Nodjoumi</category>
 <category domain="http://www.observer.com/taxonomy/term/44910">Studio School</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <category domain="http://www.observer.com/taxonomy/term/34987">York Studio School</category>
 <pubDate>Sun, 02 Feb 2003 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">47049 at http://www.observer.com</guid>
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 <title>Art Diary</title>
 <link>http://www.observer.com/node/47069</link>
 <description><![CDATA[<!--paging_filter-->The Rich Rewards of EngagementWith Dense, Demanding Work
 <span class='read-more'><a href="http://www.observer.com/node/47069">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/47069#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
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 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <category domain="http://www.observer.com/taxonomy/term/34987">York Studio School</category>
 <pubDate>Sun, 02 Feb 2003 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">47069 at http://www.observer.com</guid>
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 <title>A Show of Shows: Nozkowski&#039;s Masterful Conundrums Protetch</title>
 <link>http://www.observer.com/node/42692</link>
 <description><![CDATA[<!--paging_filter-->Over the past 25 years, Thomas Nozkowski has established a sturdy career as an abstract painter. <span class='read-more'><a href="http://www.observer.com/node/42692">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42692#comments</comments>
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 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <category domain="http://www.observer.com/taxonomy/term/24217">Washington, DC</category>
 <pubDate>Sun, 12 Mar 2000 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">42692 at http://www.observer.com</guid>
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