<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.observer.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>NY Observer &gt; Gustave Courbet</title>
 <link>http://www.observer.com/taxonomy/term/33215/feed</link>
 <description>Articles from Observer.com</description>
 <language>en</language>
<item>
 <title>Advertisements for Himself</title>
 <link>http://www.observer.com/2008/advertisements-himself</link>
 <description><![CDATA[<!--paging_filter--><p>The 19th-century French painter Gustave Courbet (1819-1877) was a big personality, a cultural subversive, a braggart and showman worthy of P. T. Barnum. He was also a paint-handler of exquisite grit and outrageous sensuality—traits that combined into an artist whose greatness just barely redeemed his insufferable narcissism. By the time you’re through with the first gallery of the Met’s “Gustave Courbet,” ringed with 20 or so self-portraits of the artist, you’ll have had quite enough of Courbet.<br />
<p class="text">The arrogance of youth is everywhere in these pictures. <span class='read-more'><a href="http://www.observer.com/2008/advertisements-himself">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/advertisements-himself#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/33215">Gustave Courbet</category>
 <category domain="http://www.observer.com/taxonomy/term/30897">The Metropolitan Museum of Art</category>
 <pubDate>Mon, 17 Mar 2008 14:52:17 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">66551 at http://www.observer.com</guid>
</item>
<item>
 <title>Step Into the Art Star&#039;s Studio: Tony Oursler&#039;s Hipster Solipsism</title>
 <link>http://www.observer.com/node/51242</link>
 <description><![CDATA[<!--paging_filter-->I’m mad at the Met. Sure, it’s one of the world’s great museums. <span class='read-more'><a href="http://www.observer.com/node/51242">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/51242#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/50457">Sports</category>
 <category domain="http://www.observer.com/taxonomy/term/32485">Arthur Dove</category>
 <category domain="http://www.observer.com/taxonomy/term/33215">Gustave Courbet</category>
 <category domain="http://www.observer.com/taxonomy/term/25231">New York Mets</category>
 <category domain="http://www.observer.com/taxonomy/term/32455">Tony Oursler</category>
 <pubDate>Sun, 28 Aug 2005 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">51242 at http://www.observer.com</guid>
</item>
<item>
 <title>Step Into the Art Star&#039;s Studio:  Tony Oursler&#039;s Hipster Solipsism</title>
 <link>http://www.observer.com/node/37553</link>
 <description><![CDATA[<!--paging_filter-->I&rsquo;m mad at the Met. Sure, it&rsquo;s one of the world&rsquo;s great museums. <span class='read-more'><a href="http://www.observer.com/node/37553">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/37553#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/32485">Arthur Dove</category>
 <category domain="http://www.observer.com/taxonomy/term/33215">Gustave Courbet</category>
 <category domain="http://www.observer.com/taxonomy/term/24252">New York City</category>
 <category domain="http://www.observer.com/taxonomy/term/32455">Tony Oursler</category>
 <pubDate>Sun, 28 Aug 2005 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">37553 at http://www.observer.com</guid>
</item>
<item>
 <title>The &#039;Later&#039; Courbet, Master of Land, Sea, In Stunning Exhibit</title>
 <link>http://www.observer.com/node/48357</link>
 <description><![CDATA[<!--paging_filter-->Given his provincial origins, the untamed manners he sometimes affected, his appetite for political  <span class='read-more'><a href="http://www.observer.com/node/48357">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/48357#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/33215">Gustave Courbet</category>
 <category domain="http://www.observer.com/taxonomy/term/33057">Jean Cocteau</category>
 <category domain="http://www.observer.com/taxonomy/term/41541">Julius Meier-Graefe</category>
 <category domain="http://www.observer.com/taxonomy/term/29185">Munich</category>
 <pubDate>Sun, 16 Nov 2003 19:00:00 -0500</pubDate>
 <dc:creator>Hilton Kramer</dc:creator>
 <guid isPermaLink="false">48357 at http://www.observer.com</guid>
</item>
<item>
 <title>In the Drawing Room At the Metropolitan, It&#039;s Courbet at 21</title>
 <link>http://www.observer.com/node/47105</link>
 <description><![CDATA[<!--paging_filter-->Drawing has been called the chamber music of the visual arts. <span class='read-more'><a href="http://www.observer.com/node/47105">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/47105#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/44960">Dita Amory</category>
 <category domain="http://www.observer.com/taxonomy/term/33215">Gustave Courbet</category>
 <category domain="http://www.observer.com/taxonomy/term/44961">John the Baptist</category>
 <category domain="http://www.observer.com/taxonomy/term/44959">Richard Brettell</category>
 <pubDate>Sun, 09 Feb 2003 19:00:00 -0500</pubDate>
 <dc:creator>Hilton Kramer</dc:creator>
 <guid isPermaLink="false">47105 at http://www.observer.com</guid>
</item>
<item>
 <title>Salander-O&#039;Reilly Mounts Incredible Courbet Show</title>
 <link>http://www.observer.com/node/40073</link>
 <description><![CDATA[<!--paging_filter-->Late Courbet? <span class='read-more'><a href="http://www.observer.com/node/40073">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/40073#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/33215">Gustave Courbet</category>
 <category domain="http://www.observer.com/taxonomy/term/36354">Jean-Jacques Fernier</category>
 <category domain="http://www.observer.com/taxonomy/term/28683">Maine</category>
 <category domain="http://www.observer.com/taxonomy/term/35548">Marsden Hartley</category>
 <pubDate>Sun, 18 Jan 1998 19:00:00 -0500</pubDate>
 <dc:creator>Hilton Kramer</dc:creator>
 <guid isPermaLink="false">40073 at http://www.observer.com</guid>
</item>
</channel>
</rss>
