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 <title>NY Observer &gt; Dresden</title>
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 <title>Our Critic&#039;s Tip Sheet on Current Reading: Against the Semicolon; Vonnegut in Dresden; Women at War</title>
 <link>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-11</link>
 <description><![CDATA[<!--paging_filter--><p>Last week <em>The Guardian</em> (<a href="http://www.guardian.co.uk" title="www.guardian.co.uk">www.guardian.co.uk</a>) canvassed writers living and dead—an eclectic selection including Jonathan Franzen, Zoë Heller, George Bernard Shaw and Gertrude Stein—for their opinion of the semicolon. Perhaps the most vehement response came from the late Kurt Vonnegut: “If you really want to hurt your parents, and you don’t have the nerve to be a homosexual, the least you can do is go into the arts. But do not use semicolons. They are transvestite hermaphrodites, standing for absolutely nothing. All they do is show you’ve been to college.”  <span class='read-more'><a href="http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-11">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/our-critic-s-tip-sheet-current-reading-11#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34501">Dresden</category>
 <category domain="http://www.observer.com/taxonomy/term/34707">Kurt Vonnegut</category>
 <pubDate>Mon, 07 Apr 2008 14:56:14 -0400</pubDate>
 <dc:creator>Adam Begley</dc:creator>
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 <title>Precise Moral Judgments Blurred by War&#039;s Messiness</title>
 <link>http://www.observer.com/node/51981</link>
 <description><![CDATA[<!--paging_filter-->In some contexts, the good, decent humanist approach seems more callous than sheer bloody-mindedness <span class='read-more'><a href="http://www.observer.com/node/51981">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/51981#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34500">A.C. Grayling</category>
 <category domain="http://www.observer.com/taxonomy/term/24851">Adolf Hitler</category>
 <category domain="http://www.observer.com/taxonomy/term/34501">Dresden</category>
 <category domain="http://www.observer.com/taxonomy/term/32551">Hiroshima</category>
 <pubDate>Sun, 19 Mar 2006 19:00:00 -0500</pubDate>
 <dc:creator>Charles Taylor</dc:creator>
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<item>
 <title>Precise Moral Judgments  Blurred by War’s Messiness</title>
 <link>http://www.observer.com/node/38548</link>
 <description><![CDATA[<!--paging_filter-->In some contexts, the good, decent humanist approach seems more callous than sheer bloody-mindedness <span class='read-more'><a href="http://www.observer.com/node/38548">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/38548#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34500">A.C. Grayling</category>
 <category domain="http://www.observer.com/taxonomy/term/24851">Adolf Hitler</category>
 <category domain="http://www.observer.com/taxonomy/term/34501">Dresden</category>
 <category domain="http://www.observer.com/taxonomy/term/34502">Victor Klemperer</category>
 <pubDate>Sun, 19 Mar 2006 19:00:00 -0500</pubDate>
 <dc:creator>Charles Taylor</dc:creator>
 <guid isPermaLink="false">38548 at http://www.observer.com</guid>
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 <title>Is This Eccentric Grieving-Or Just Literary Posturing?</title>
 <link>http://www.observer.com/node/50515</link>
 <description><![CDATA[<!--paging_filter-->Extremely Loud and Incredibly Close, by Jonathan Safran Foer. Houghton Mifflin, 326 pages, $24.95.
 <span class='read-more'><a href="http://www.observer.com/node/50515">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/50515#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34501">Dresden</category>
 <category domain="http://www.observer.com/taxonomy/term/34398">Houghton Mifflin Company</category>
 <category domain="http://www.observer.com/taxonomy/term/31301">Jonathan Safran Foer</category>
 <category domain="http://www.observer.com/taxonomy/term/24267">The New York Times Company</category>
 <pubDate>Sun, 13 Mar 2005 19:00:00 -0500</pubDate>
 <dc:creator>Adam Begley</dc:creator>
 <guid isPermaLink="false">50515 at http://www.observer.com</guid>
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 <title>Lasar Segall&#039;s Happy Life Didn&#039;t Make for Great Art</title>
 <link>http://www.observer.com/node/40372</link>
 <description><![CDATA[<!--paging_filter-->There are artists whose lives are more compelling than their art, and the Brazilian painter Lasar Se <span class='read-more'><a href="http://www.observer.com/node/40372">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/40372#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/24875">Berlin</category>
 <category domain="http://www.observer.com/taxonomy/term/29272">Brazil</category>
 <category domain="http://www.observer.com/taxonomy/term/34501">Dresden</category>
 <category domain="http://www.observer.com/taxonomy/term/36798">Lasar Segall</category>
 <pubDate>Sun, 05 Apr 1998 20:00:00 -0400</pubDate>
 <dc:creator>Hilton Kramer</dc:creator>
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