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 <title>NY Observer &gt; Michael Mann</title>
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 <description>Articles from Observer.com</description>
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 <title>Mann Replaces Scorsese for Frankie Machine</title>
 <link>http://www.observer.com/2007/mann-replaces-scorsese-i-frankie-machine-i</link>
 <description><![CDATA[<!--paging_filter--><p><a href="http://www.chud.com/index.php?type=news&amp;id=12299">CHUD via Variety</a>:<br />
<blockquote>
<p>Four months ago, it looked as though Don Winslow's aging hitman saga, The Winter of Frankie Machine, was going to be the (potentially) perfect coda to the Martin Scorsese/Robert De Niro mobster trio of <em>Mean Streets</em>, <em>Goodfellas</em> and <em>Casino</em>.  Alas, it didn't work out.</p>
<p>But, in a semi-inversion of what went down with <em>The Aviator</em>, Michael Mann has now stepped in to replace Martin Scorsese (who was actually never signed in the first place). This is, I think, a more-than-acceptable trade-off.</p>
<p>Before you get too excited, I should note that Mann has only signed to develop <em>Frankie Machine</em> (as it's now being called).  And while Brian Kopperman and David Levien seemed an ideal duo to adapt Winslow's tome, their draft is now getting what <em>Variety</em>'s Michael Fleming terms a &quot;major overhaul&quot; by Alex Tse (who re-tooled David Hayter's script for <em>Watchmen</em> before getting re-re-tooled himself by Roberto Orci and Alex Kurtzman).  </p>
</p></blockquote>]]></description>
 <comments>http://www.observer.com/2007/mann-replaces-scorsese-i-frankie-machine-i#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/51329">Frankie Machine</category>
 <category domain="http://www.observer.com/taxonomy/term/30500">Martin Scorsese</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/people/robert-de-niro">Robert De Niro</category>
 <pubDate>Thu, 25 Oct 2007 08:51:41 -0400</pubDate>
 <dc:creator>Gillian Reagan</dc:creator>
 <guid isPermaLink="false">59386 at http://www.observer.com</guid>
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 <title>Intercontinental Intrigue  Ravishes Screen in Vice</title>
 <link>http://www.observer.com/node/39213</link>
 <description><![CDATA[<!--paging_filter-->Michael Mann&rsquo;s Miami Vice, from his own screenplay, celebrates a world of drug crime and under <span class='read-more'><a href="http://www.observer.com/node/39213">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/39213#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/24349">Florida</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/35283">Ricardo Tubbs</category>
 <category domain="http://www.observer.com/taxonomy/term/35284">Sonny Crockett</category>
 <pubDate>Sun, 06 Aug 2006 20:00:00 -0400</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">39213 at http://www.observer.com</guid>
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 <title>Michael Mann&#039;s Collateral Cruises L.A.&#039;s Dark Side</title>
 <link>http://www.observer.com/node/49643</link>
 <description><![CDATA[<!--paging_filter-->It's a strange coincidence that Michael Mann's Collateral , the current thriller par excellence, arr <span class='read-more'><a href="http://www.observer.com/node/49643">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49643#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/24683">Los Angeles</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/47535">Thom Andersen</category>
 <category domain="http://www.observer.com/taxonomy/term/28375">Tom Cruise</category>
 <pubDate>Sun, 15 Aug 2004 20:00:00 -0400</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">49643 at http://www.observer.com</guid>
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<item>
 <title>Holy Collateral ! Tom Cruise Acts</title>
 <link>http://www.observer.com/node/49600</link>
 <description><![CDATA[<!--paging_filter-->Battered by diabolical summer con jobs like Jonathan Demme'sbloated, preposterous and infuriating re <span class='read-more'><a href="http://www.observer.com/node/49600">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/49600#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/47496">Jamie Foxx</category>
 <category domain="http://www.observer.com/taxonomy/term/24683">Los Angeles</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/28375">Tom Cruise</category>
 <pubDate>Sun, 08 Aug 2004 20:00:00 -0400</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">49600 at http://www.observer.com</guid>
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<item>
 <title>The Kid Holds Onto the Picture</title>
 <link>http://www.observer.com/node/47752</link>
 <description><![CDATA[<!--paging_filter-->In the Melrose Avenue office of his production company, Acappella Pictures, Charles Evans Jr. <span class='read-more'><a href="http://www.observer.com/node/47752">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/47752#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/45647">Charles Evans</category>
 <category domain="http://www.observer.com/taxonomy/term/45646">Frances Evans</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/35477">Robert Evans</category>
 <pubDate>Sun, 29 Jun 2003 20:00:00 -0400</pubDate>
 <dc:creator>Frank DiGiacomo</dc:creator>
 <guid isPermaLink="false">47752 at http://www.observer.com</guid>
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<item>
 <title>About the Legend, But Not the Man</title>
 <link>http://www.observer.com/node/45457</link>
 <description><![CDATA[<!--paging_filter-->Among the marquee titles that played briefly before the end of 2001 to qualify for Academy Awards bu <span class='read-more'><a href="http://www.observer.com/node/45457">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/45457#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/43145">Am Sam</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/26749">Muhammad Ali</category>
 <category domain="http://www.observer.com/taxonomy/term/35541">Sean Penn</category>
 <pubDate>Sun, 13 Jan 2002 19:00:00 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">45457 at http://www.observer.com</guid>
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<item>
 <title>Big Tobacco Vs. Big Media: 60 Minutes as Tower of Jell-O</title>
 <link>http://www.observer.com/node/42241</link>
 <description><![CDATA[<!--paging_filter-->Michael Mann's The Insider , from a screenplay by Eric Roth and Mr. <span class='read-more'><a href="http://www.observer.com/node/42241">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42241#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34460">Al Pacino</category>
 <category domain="http://www.observer.com/taxonomy/term/33883">Christopher Plummer</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/28415">Mike Wallace</category>
 <pubDate>Sun, 21 Nov 1999 19:00:00 -0500</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">42241 at http://www.observer.com</guid>
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<item>
 <title>Mike Wallace: Hamlet of TV in Mann&#039;s 60 Minutes Movie</title>
 <link>http://www.observer.com/node/42125</link>
 <description><![CDATA[<!--paging_filter-->Knowing laughter filled the Walt Disney Company's private screening room at 500 Park Avenue. <span class='read-more'><a href="http://www.observer.com/node/42125">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42125#comments</comments>
 <category domain="http://www.observer.com/channel/media">Media</category>
 <category domain="http://www.observer.com/taxonomy/term/39219">Jeffrey Wigand</category>
 <category domain="http://www.observer.com/taxonomy/term/35659">Lowell Bergman</category>
 <category domain="http://www.observer.com/taxonomy/term/35282">Michael Mann</category>
 <category domain="http://www.observer.com/taxonomy/term/28415">Mike Wallace</category>
 <pubDate>Sun, 24 Oct 1999 20:00:00 -0400</pubDate>
 <dc:creator>Frank DiGiacomo</dc:creator>
 <guid isPermaLink="false">42125 at http://www.observer.com</guid>
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