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 <title>NY Observer &gt; Paul Thomas Anderson</title>
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 <description>Articles from Observer.com</description>
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 <title>The Observer&#039;s Interview With Oscar-Winner Daniel Day-Lewis</title>
 <link>http://www.observer.com/2008/observers-inerview-oscar-winner-daniel-day-lewis</link>
 <description><![CDATA[<!--paging_filter--><p><em><span>In December, The Observer interviewed last night's Best Actor winner Daniel Day-Lewis about his performance. Here is Sara Vilkomerson's account of her afternoon with the real-life Daniel Plainview. </span></em><br />
<p class="text">“For the most part I try to hear the voice, which is one of the most deep and personal ways we present our very selves. It’s like a fingerprint of the soul,” said Daniel Day-Lewis. Last week, the 50-year-old actor was discussing his character, Daniel Plainview, in Paul Thomas Anderson’s latest film, <em>There Will Be Blood,</em> based upon Upton Sinclair’s turn-of-the-century novel <em>Oil!</em> “Little by little a voice started to talk in my head, and then the problem becomes how to make those sounds—to get it <em>out</em> of your head.” <span class='read-more'><a href="http://www.observer.com/2008/observers-inerview-oscar-winner-daniel-day-lewis">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/observers-inerview-oscar-winner-daniel-day-lewis#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/taxonomy/term/51849">Academy Awards</category>
 <category domain="http://www.observer.com/taxonomy/term/51407">Daniel Day Lewis</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/52598">There Will Be Blood</category>
 <category domain="http://www.observer.com/taxonomy/term/53460">Third Stringer</category>
 <pubDate>Mon, 25 Feb 2008 07:09:40 -0500</pubDate>
 <dc:creator>Sara Vilkomerson</dc:creator>
 <guid isPermaLink="false">65541 at http://www.observer.com</guid>
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<item>
 <title>National Society of Film Critics Draws Blood</title>
 <link>http://www.observer.com/2008/national-society-film-critics-draw-blood</link>
 <description><![CDATA[<!--paging_filter--><p>Forty-one New York and Los Angeles movie critics from <em>Time, Newsweek, The New Yorker</em> and <em>Salon.com</em> gathered at Sardi's Restaurant in Times Square Saturday night to vote on the top films of the year.</p>
<p>Paul Thomas Anderson’s much-touted <em>There Will Be Blood</em> took four prizes, including best picture, at the 42nd annual National Society of Film Critics Awards. Daniel Day-Lewis drew actor kudos, while Mr. Anderson won for director and Robert Elswit for cinematography.</p>
<p>After the jump, Day-Lewis talks to <em>The Observer</em> about life with Anderson, and the complete list of winners. <span class='read-more'><a href="http://www.observer.com/2008/national-society-film-critics-draw-blood">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/national-society-film-critics-draw-blood#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/taxonomy/term/52090">Awards Season</category>
 <category domain="http://www.observer.com/taxonomy/term/36296">Daniel Day-Lewis</category>
 <category domain="http://www.observer.com/taxonomy/term/52597">National Society of Film Critics</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/52598">There Will Be Blood</category>
 <pubDate>Mon, 07 Jan 2008 10:39:45 -0500</pubDate>
 <dc:creator>Gillian Reagan</dc:creator>
 <guid isPermaLink="false">62967 at http://www.observer.com</guid>
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<item>
 <title>Oil, Oil Everywhere! Paul Thomas Anderson Goes to the Old West for a Gusher Evoking New Greed</title>
 <link>http://www.observer.com/2007/oil-oil-everywhere-paul-thomas-anderson-goes-old-west-gusher-evoking-new-greed</link>
 <description><![CDATA[<!--paging_filter--><p><strong>THERE WILL BE BLOOD</strong><br /><em> Running Time 158 minutes<br /> Written and </em><em>directed by Paul Thomas Anderson<br /> Starring<span> </span>Daniel Day-Lewis, Paul Dano</em> <span class='read-more'><a href="http://www.observer.com/2007/oil-oil-everywhere-paul-thomas-anderson-goes-old-west-gusher-evoking-new-greed">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2007/oil-oil-everywhere-paul-thomas-anderson-goes-old-west-gusher-evoking-new-greed#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/taxonomy/term/51407">Daniel Day Lewis</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <pubDate>Tue, 11 Dec 2007 12:46:31 -0500</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">61798 at http://www.observer.com</guid>
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<item>
 <title>Punch-Drunk Love: Mystifying, Then Enchanting</title>
 <link>http://www.observer.com/node/46601</link>
 <description><![CDATA[<!--paging_filter-->Paul Thomas Anderson's Punch-Drunk Love , from his own screenplay, turns out to be one of the most i <span class='read-more'><a href="http://www.observer.com/node/46601">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/46601#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34913">Adam Sandler</category>
 <category domain="http://www.observer.com/taxonomy/term/44395">Bertrand Tavernier</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/30502">Philip Seymour Hoffman</category>
 <pubDate>Sun, 20 Oct 2002 20:00:00 -0400</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">46601 at http://www.observer.com</guid>
</item>
<item>
 <title>Digital Love</title>
 <link>http://www.observer.com/2002/digital-love</link>
 <description><![CDATA[<!--paging_filter-->A little more than a year ago, the 30-year-old New York artist Jeremy Blake-whose digital, slow-movi <span class='read-more'><a href="http://www.observer.com/2002/digital-love">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/2002/digital-love#comments</comments>
 <category domain="http://www.observer.com/channel/media">Media</category>
 <category domain="http://www.observer.com/taxonomy/term/25586">Hollywood</category>
 <category domain="http://www.observer.com/taxonomy/term/44286">Kevin Scullin</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/44287">Rhonda Venuto</category>
 <pubDate>Sun, 29 Sep 2002 20:00:00 -0400</pubDate>
 <dc:creator>Elisabeth Franck and Noelle Hancock</dc:creator>
 <guid isPermaLink="false">46505 at http://www.observer.com</guid>
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<item>
 <title>A Day in the Life of L.A.: Where&#039;s the Rough Stuff?</title>
 <link>http://www.observer.com/node/42470</link>
 <description><![CDATA[<!--paging_filter-->Paul Thomas Anderson's Magnolia deals with a dozen or more dysfunctional denizens of the San Fernand <span class='read-more'><a href="http://www.observer.com/node/42470">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42470#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/32047">Alfred Hitchcock</category>
 <category domain="http://www.observer.com/taxonomy/term/39628">Earl Partridge</category>
 <category domain="http://www.observer.com/taxonomy/term/39629">Jimmy Gator</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <pubDate>Sun, 23 Jan 2000 19:00:00 -0500</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">42470 at http://www.observer.com</guid>
</item>
<item>
 <title>Before Videotape Killed the Artistry of the Porno Flick</title>
 <link>http://www.observer.com/node/39759</link>
 <description><![CDATA[<!--paging_filter-->Paul Thomas Anderson's Boogie Nights was the hottest ticket at this year's recently concluded 35th N <span class='read-more'><a href="http://www.observer.com/node/39759">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/39759#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/35885">Atom Egoyan</category>
 <category domain="http://www.observer.com/taxonomy/term/35883">Larry Flynt</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/35886">Russell Banks</category>
 <pubDate>Sun, 19 Oct 1997 20:00:00 -0400</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
 <guid isPermaLink="false">39759 at http://www.observer.com</guid>
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