<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.observer.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>NY Observer &gt; Arthur Laurents</title>
 <link>http://www.observer.com/taxonomy/term/40094/feed</link>
 <description>Articles from Observer.com</description>
 <language>en</language>
<item>
 <title>Lupone and Laurents Make Gypsy Soar</title>
 <link>http://www.observer.com/2008/lupone-and-laurents-make-gypsy-soar</link>
 <description><![CDATA[<!--paging_filter--><p><span>Whether you’re seeing <em>Gypsy</em> for the first (or fourth or fifth) time, you’ll want to catch Arthur Laurents’ revival starring Patti LuPone at the St. James Theatre. For one thing, Gypsy is among the very best musicals ever written, and we assume that by now the 90-year-old Mr. Laurents—who created the masterly book in 1959, and is directing the show for the third time—knows what he’s doing. </span><br />
<p class="text"><span>He’s like a museum keeper with the only set of keys. When Sam Mendes directed the revisionist <em>Gypsy</em> with Bernadette Peters on Broadway five years ago, traditionalists took offense (including, reportedly, Mr. Laurents). Don’t mess with Mama Rose! (Or <em>else</em>.) <em>Gypsy</em>, the musical for people who hate their mothers, arouses intense feelings. </span> <span class='read-more'><a href="http://www.observer.com/2008/lupone-and-laurents-make-gypsy-soar">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/lupone-and-laurents-make-gypsy-soar#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/52815">Theater</category>
 <category domain="http://www.observer.com/taxonomy/term/40094">Arthur Laurents</category>
 <category domain="http://www.observer.com/taxonomy/term/32062">Patti LuPone</category>
 <pubDate>Tue, 01 Apr 2008 12:43:58 -0400</pubDate>
 <dc:creator>John Heilpern</dc:creator>
 <guid isPermaLink="false">67214 at http://www.observer.com</guid>
</item>
<item>
 <title>Gay Pride Takes Center Stage in Dramatist&#039;s Flouncy Memoir</title>
 <link>http://www.observer.com/node/42843</link>
 <description><![CDATA[<!--paging_filter-->Original Story By: A Memoir of Broadway and Hollywood , by Arthur Laurents. Alfred A. Knopf. <span class='read-more'><a href="http://www.observer.com/node/42843">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42843#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/40094">Arthur Laurents</category>
 <category domain="http://www.observer.com/taxonomy/term/25586">Hollywood</category>
 <category domain="http://www.observer.com/taxonomy/term/32044">Jerome Robbins</category>
 <category domain="http://www.observer.com/taxonomy/term/40095">Lenny Bernstein</category>
 <pubDate>Sun, 16 Apr 2000 20:00:00 -0400</pubDate>
 <dc:creator>Sydney H. Weinberg</dc:creator>
 <guid isPermaLink="false">42843 at http://www.observer.com</guid>
</item>
</channel>
</rss>
