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 <title>Punch-Drunk Love: Mystifying, Then Enchanting</title>
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 <description><![CDATA[<!--paging_filter-->Paul Thomas Anderson's Punch-Drunk Love , from his own screenplay, turns out to be one of the most i <span class='read-more'><a href="http://www.observer.com/node/46601">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
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 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34913">Adam Sandler</category>
 <category domain="http://www.observer.com/taxonomy/term/44395">Bertrand Tavernier</category>
 <category domain="http://www.observer.com/taxonomy/term/35884">Paul Thomas Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/30502">Philip Seymour Hoffman</category>
 <pubDate>Sun, 20 Oct 2002 20:00:00 -0400</pubDate>
 <dc:creator>Andrew Sarris</dc:creator>
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