David Mamet

Morning Memo: Leonardo DiCaprio, Bicycle Babe; Jenna Bush's Big Fat Presidential Wedding

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O.K., so we knew that Leonardo DiCaprio was like the first person to buy a Toyota Prius, but last week he even rode up to the opening of Bonhams Flagship Showroom with his mom on bikes, and parked right out front on 57th and Madison. [P6]

David Mamet interviews himself about his new film. [New Yorker]  read more »

Lineup for April 30, 2008

If you remember this year's White House Correspondent's Dinner, you weren't there. Felix Gillette, John Koblin, and Choire Sicha flood the zone in D.C..

Janet Silver is moving from Houghton Mifflin to Nan Talese's imprint at Doubleday. Leon Neyfakh checks in with with Ms. Talese who says, "I called Janet and she sent us a list of the authors she had worked with and the ones who’d said they wanted to come with her, if not immediately then eventually." That list may include Philip Roth and Jonathan Safran Foer. Plus: Islam observers on Wieseltier's Amis review; James Frey's PR Dream Team; Spitzer's bio; Nabokov's unfinished novel.  read more »

F**k You, I'm Mamet: Tough-Guy Writer Travels With Antic Entourage

The playwright with Pidgeon.
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The playwright with Pidgeon.

On Friday, April 25, Redbelt, a riveting David Mamet cops-and-con-men drama set in the world of professional jujitsu, premiered at the Tribeca Film Festival. The cool table at the after-party, held at the Honey nightclub on West 14th Street, included Mr.  read more »

Today at the Tribeca Film Festival: 90's Nostalgia (And We Don't Mean Just Mamet!), And the Festival's Big Deal

via donhills.com

JUVENILE DELINQUENTS!

Boy A., Pace University, 5 p.m.

Boy A. is about Jack Burridge, recently released from a British prison after serving a 14-year sentence for a crime he committed as a child. From director John Crowley, also known in the theater world (he was nominated for a Tony for directing Martin McDonagh’s The Pillowman). Oooh, and oh also! According to the notes on the film provided by the festival, “this story also sheds light on the vast difference between the American and British criminal justice systems”—we’re guessing the British jails are much more polite. Lots of people have buzzed around on this one, and Harvey Weinstein’s company is releasing it so take from that what you want.

THERE'S NOTHING LIKE A DANE

Worlds Apart, Village Cinema East, 5:30 p.m.

Is Danish film where it’s at these days? In 2006 we had Susanne Bier’s excellent After the Wedding (she went on to do the stinker Things We Lost in the Fire, but we don’t blame her really for that one). At this past Sundance there was the excellent Just Another Love Story (which so far is being released here around ... let me check my calendar ... never), and now at Tribeca there’s Worlds Apart. Making its North American premiere this evening, this film gets into the murky waters of Jehovah Witnesses, following a devout 17-year-old who falls in love with a nonbeliever. Based on a true story! Expect lots of men named Niels.  read more »

Mamet's Buffalo, Lerner's Brigadoon To Rumble On Broadway

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It's the battle of the Broadway revivals! David Mamet's American Buffalo and the Lerner and Loewe musical Brigadoon will both open during 2009. Buffalo producers are courting Sexoholic and Summer of Sam star John Leguizamo, according to the New York Times. No casting is set for Brigadoon, the hit Broadway show about two Americans wandering into a Scottish village that comes alive every 100 years, according to Playbill. But the play, written by the team who brought us scores for My Fair Lady, Gigi and Camelot, will be directed by Tony winner Rob Ashford and will include a new book by another Tony winner, John Guare. We're putting the 1954 movie version of Brigadoon, starring the "incomparable" Gene Kelly and "sensational" Cyd Charisse belting out those classics "Almost Like Being In Love," "There But For You Go I" and "Come to Me, Bend to Me," into our Netflix queue right now.

Cue the Custard Pie: Mamet Goes Manic

Nathan Lane and Dylan Baker in David Mamet’s <i>November</i> at the Ethel Barrymore Theatre.
Scott Landis
Nathan Lane and Dylan Baker in David Mamet’s November at the Ethel Barrymore Theatre.

What makes people laugh? Or, as David Mamet’s hapless President Smith asks in November, “Well, who’s to say what’s perjury?”

In a moment of mock seriousness during Mr. Mamet’s broad—very broad—political farce, the president’s speechwriter, who’s an activist lesbian known as Bernstein, muses sentimentally on this great nation of ours and on the mysterious nature of comedy itself:  read more »

Baker Joins Mamet's November on Broadway

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Dylan Baker, who you might recognize as the nerdy doctor in Spider-Man 2 or the creepy, perverted dad in Happiness, will join David Mamet's November, which will begin previews on Dec. 20 starring Nathan Lane and Laurie Metcalf.

Playbill reports:

"Set just days before a major presidential election," press notes state, "November involves civil marriages, gambling casinos, lesbians, American Indians, presidential libraries, questionable pardons and campaign contributions."

In the world premiere, Metcalf will play Clarice Bernstein, aide to President Smith (Lane). Baker will take on the role of presidential adviser Archer Brown.

Mamet Plays Moses Again, Laying Down Hollywood Law

David Mamet (b. 1947), prolific and provocative.
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David Mamet (b. 1947), prolific and provocative.

Let’s be blunt, as befits our author.    read more »

Mamet Embraces Ritual, Spews Venom at Lapsed Jews

David Mamet (b. 1947): Not an imbecile, at least according to Noam Chomsky.
David Mamet (b. 1947): Not an imbecile, at least according to Noam Chomsky.

A book about Jewishness by the playwright David Mamet, you might expect it to be personal, even conf  read more »

Mr. Mamet and Mr. Macy Make Misery in Edmond

John Abraham and Sarala in <i>Water</i>.
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John Abraham and Sarala in Water.

Stuart Gordon’s Edmond, from a screenplay by David Mamet, based on his play, had been reported  read more »

Mr. Mamet and Mr. Macy Make Misery in Edmond

Stuart Gordon’s Edmond, from a screenplay by David Mamet, based on his play, had been reportedly t  read more »

Parker’s Doze-y in Oh in Ohio

Melvil Poupaud and Christian Sengewald in <i>Time to Leave</i>.
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Melvil Poupaud and Christian Sengewald in Time to Leave.

“Why, oh why, oh why, oh—why did I ever leave Ohio?”    read more »

Art of Closing Scummy Deals-Mamet's All-American Hustlers

A few afterthoughts on the perfect revival of David Mamet's Glengarry Glen Ross, directed by Joe Man  read more »

Can a Shlemiel Play The Prince of Providence?

Even while on trial, Buddy Cianci, the now-incarcerated former mayor of Providence, R.I., was proud  read more »

Judas Found Guilty as Sin Mamet Reverts to Childhood

When big Broadway productions are fixed on the road before coming into town, it seems to me a good i  read more »

Big Broadway Revivals Pack the Stage With Stars

Prestige revivals mark this spring's theater season, with several potentially bankable classics open  read more »

Doubt: Nun Cries Sex Abuse, But This Sister's a Disgrace

My difficulty with John Patrick Shanley's highly regarded moral parable Doubt at Manhattan Theatre C  read more »

First Daughter Shenanigans

Whatever David Mamet has been smoking, I'll have a puff.  read more »

Mamet's Latest Grand Scam: Sayeth It Ain't Soeth!

There came a point about midway through the second act of David Mamet's peculiar misfire, Boston Mar  read more »

Call Me a Sucker, But I Love Ricky Jay

Here are two or three reasons why I love Ricky Jay and so should you:It's always an unexpected pleas  read more »

Strangers on a Layover Get Even With All Men

Patrick Stettner's The Business of Strangers , from his own screenplay, is unusual these days, even  read more »

Cast Away for Christmas! … Poetry from a Cuban Prison

Cast Away for Christmas! Ready or not, here they come: The Christmas movies are upon  read more »

The Arrogance and the Insecurity: Pollock's Not-So-Sordid Story

Ed Harris' Pollockis swarming with multiple credits, including a screenplay by Barbara Turner and  read more »

How Good Is David Mamet, Anyway?

The revival of David Mamet's breakthrough 1975 play, American Buffalo (at the Atlantic Theater Compa  read more »

If Bash Is a Contact Sport, Where's the Blood?

Neil LaBute's inarticulate, sick characters couldn't be more fashionable, particularly when one of t  read more »

Mamet's Hero-Victim: A Prisoner of Words

David Mamet's The Spanish Prisoner has been described by the writer-director himself as "a light thr  read more »

David Mamet and Andy Warhol: Separated at Birth?

It will be sacrilege to many, but I'm beginning to see David Mamet as the Andy Warhol of theater.  read more »