Peter Sellars
Schumann’s Genoveva at Bard; Mozart Politicized by Sellars
Cory Weaaver
Schumann
The heat of summer seems to bring out obscure oddities plucked from the overstocked greenhouse of We read more »
Schumann's Genoveva at Bard; Mozart Politicized by Sellars
The heat of summer seems to bring out obscure oddities plucked from the overstocked greenhouse of We read more »
An Inner Light Extinguished: Farewell to a Great Singer
Richard Termine
Lorraine Hunt Lieberson (1954-2006).
I once asked the late, esteemed voice teacher Beverley Johnson what distinguished a truly great sing read more »
Not Over Till Fat Boy Drops- Opera Takes on Los Alamos
Opera, the most multilayered art form, loves war for its multiplicity of passions. read more »
Not Over Till Fat Boy Drops— Opera Takes on Los Alamos
Terrence McCarthy
Gerald Finley as J. Robert Oppenheimer in John Adams
Opera, the most multilayered art form, loves war for its multiplicity of passions. read more »
A Beacon for American Music: Rooted, Rambunctious Adams
For some time now, my attendance at rock concerts has been spotty, to say the least. read more »
An Opera Fit for Broadway: Agrippina, Deliciously Tweaked
Paul Kellogg, the New York City Opera's general director, has been eloquent about the need to reloca read more »
Somersaults and Sinatra: State of the Recital
At an overactive Salzburg Festival production of Gluck's Iphig énie en Tauride last summer, the Ame read more »
