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ABT

Dance

"Gossamer Gallants" by Paul Taylor.

A Weekend of Song and Dance: Unflagging Invention in an All-Taylor Evening, and Ellington on Exhilirating Fast-Forward

Saturday
City Center
2:00 p.m.

The Encores! series and Jazz at Lincoln Center blasted off their new collaboration with a spectacular show called Cotton Club Parade—all-singing, all-dancing, all-Ellington. (Even the non-Ellington numbers sound like his.) Of course a big theater like the City Center can’t replicate the feeling of an intimate place like the Cotton Club—for one thing, they didn’t have miking back in the day. (Lucky them.) And presumably a show at the club was relaxed: pauses between numbers; waiters passing through with drinks clinking; customers coming and going. Whereas the Parade is a semi-Broadway show, and one of its strongest virtues is that it’s driven at breakneck speed through its 23 numbers—its energy is never allowed to falter; even segues are ultraminimal. And there’s no intermission. But authenticity of venue isn’t the point. You leave the performance with a real sense of the variety, the ingenuity, the sheer fun of what things must have been like up on 125th Street in the ’20s and ’30s. Read More

Dance

Adrienne Schulte and Sean Stewart in Merce Cunningham’s "Duets."

Let’s Get It On: An Energetic Week of American Ballet Theatre

ABT nailed its contemporary colors to the mast for its recent one-week season at the City Center—no imported stars, no full-evening classics or faux-classics. Instead, Tharp (three pieces), Taylor (two), Cunningham, Ratmansky, Clarke (Martha) and Volpi (one each). Volpi? He’s the 25-year-old dancer from the Stuttgart Ballet, originally from Argentina, who was commissioned to create a new piece for the occasion. Read More

Iman in Karan, Emmy and Natalie Dis Photogs at Big Ballet Gala

You don’t need a weatherman to know which way the wind blows, but when it’s as gusty as it was on Wednesday, Oct. 7, some kind of warning, or maybe a protective shield, might have helped. But the weather didn’t stop the stars from coming out to the American Ballet Theatre’s fall gala at Avery Read More

ABT’s Three New Works at Avery Fisher

Because City Center was supposed to be undergoing major revamping (it didn’t happen), ABT switched its fall season to an unlikely venue: Avery Fisher Hall. It has no front curtain, no wings, no rake and no way to hang scenery, and the balcony is a zillion miles from the stage.

The season was also reduced Read More

Meet New ABT Phenom, Natalia Osipova

If ever we needed proof that the gods giveth even as they taketh away, it was to be found at ABT this season, when on successive evenings the company presented in the role of Giselle first Nina Ananiashvili, the greatly admired ballerina on the verge of retirement, then the very young and much heralded Bolshoi Read More

ABT’s Disneyfied Sleeping Beauty Shorter But Broken

This season’s version of ABT’s The Sleeping Beauty is 14 minutes shorter than last year’s version, when it was new. Which means that it’s 14 minutes better, since most of what’s been cut was both gratuitous and disfiguring. No more imposed story line about the Queen weeping a river of tears, or Prince Désiré flinging Read More


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