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THERE GOES THE NEIGHBORHOOD

Home-less.

‘A Nihilistic and Vapid Form of Art Never Seen in the Big Apple’

That is what Brooklyn activist Samuel E. Anderson sees resulting from the subway-driven gentrification The Observer explored on Friday. It was a widely debated story, with a number of commenters pointing out that Bushwick really isn't that far from Manhattan, so there is no reason to assume the (over) development will not be just as swift and brutal as before.

There was a lot of  talk about money and power and access, both to capital and transportation. But what they all ignored, excepting Mr. Anderson, who sent us an email, was not just the minorities but the minority artists affected by these changes. This is not exactly new territory, but it is well said—including our emphases—and it speaks to a dark future for minority communities, affordable housing and the art scene as a (w)hole. Read More

The Wee Hours

Art at the Bar of Mechanical Reproduction

The blond painter was wearing a tan jacket. “Honestly,” he said, “everyone making art right now is fucking derivative.”

A man standing at the bar started yelling at the painter. “What happened to realism? What happened to figurative painting?”

“Fuck figurative painting! Fuck realism!” the painter shouted back. “I’m talking about Abstract Expressionism, Read More

Brooklyn’s ‘Creative Crescent’ In Danger of A Drought

We’ve always dismissed the hordes of young hipsters tapping away on their laptops in Williamsburg and Park Slope cafes in the middle of a Wednesday afternoon as trust-fund babies or dilettantes. But it just so happens they might be part of the burgeoning population the Brooklyn Economic Development Corporation calls “self-employed creative professionals.”

This Read More


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