Feed

Oscars

Opening Shot

Old friends at their umpteenth reunion these past few months.

SOPA, Santorum and Seal

If you’re feeling withdrawal symptoms from reduced doses of Occupy Wall Street rabble-rousing (we hear they’re just hibernating), the success of last week’s SOPA blackout ought to cheer you up. Read More

Awards Season

7 Photos

Bérénice Bejo and Diane von Furstenberg

Doggone It! Harvey Weinstein and DVF Celebrate The Artist

Gossip columnist Liz Smith made her way through the dining room of the Monkey Bar on Monday afternoon, where Harvey Weinstein, Diane von Furstenberg and George Stevens, Jr. were hosting a promotional lunch on behalf of The Artist—the black-and-white silent movie that Mr. Weinstein is gently, persuasively shepherding toward an Academy Award for Best Picture—and surveyed the scene, perched side-saddle in a red leather booth. Ms. Smith, who is supposedly in her eighties, looked a few decades younger in a black leather jacket with white stitching from Carlisle. Read More

Academy Awards

New York, LA Times Now Decides What Documentaries Nominated For Academy Awards

Adding to the already long list of confusing and nonsensical plans for handing out the little statues from the Academy of Motion Picture Arts and Sciences, it was announced today that documentaries would be considered for Oscar nomination only if they had been reviewed in The New York Times or The LA Times beforehand.

This may not be as terribly insane as it seems. (Though it does seem pretty random, not to mention biased: giving an outside organization the power to wield a nomination verdict conclusively is actually unheard of.) Despite the rise of DIY film making and festival showcases, it's true that both Times do an admirable job reviewing most documentaries of note--one could make an argument that The New York Times actually skews towards the more esoteric form of film-making because traditionally documentaries have been considered "high-brow" films.

So this shouldn't be a problem, right?
Read More

Not Happy

What the Hell Happened to the Oscars?

Red was the dominant color at the 83rd Academy Awards, and by the end of three hours and 45 minutes, I was seeing plenty of it. If this was the year when some brain-dead jerk who never heard of the term "moving pictures" decided to move into the age of cyberspace, all I can say Read More

The Floppy-Haired Fellows

The most striking thing about this year’s Oscars, other than that a female director finally won? The guys’ hair. There was George Clooney, whose longish (for him) do had a distinctly feathered quality in the front. Then there was James Cameron, whose soft, elongated bowl cut channeled ABBA, and was possibly blow-dried. But Mark Boal, Read More

Snoozy Oscar-fest Ends Big With Bigelow!

Well, so that happened! Was it just us or were these just the most tediously boring Oscars in ages? And who should we blame? Maybe we should start with the very strange stage design, which we’re guessing was intended to be a nod to old Hollywood glamour, but felt more like an early-'70s set Read More

Hurt Locker Pushes Its Case a Little Too Hard

In this morning's Observer, Richard Siklos writes about the Academy Awards' new voting system, and the lengthy politicking process that has everyone hopeful of bringing down the front-runners. "[T]he extra time has also allowed awards campaigners to reach deep into their bag of tricks," he writes.

A little too deep apparently. The L.A. Times Read More

Jews on the Red Carpet

To call this the year of Jews in film sounds like the setup for a bad joke. What, runs the imagined punch line, is it also the year of Canadians in curling?

Well, yes, actually. Jews are having something of a Hollywood moment. No fewer than three of the nominees for best picture at Sunday's Oscars--Inglourious Read More


Parse error: syntax error, unexpected $end in /var/www/observer.com/wp-content/themes/nyo_tech/footer.php on line 191