Feed

St. Petersburg

He Was That He Was: A Place For John Graham in Art’s Firmament

As far as dirty old men go, the American painter John Graham (1886-1961), whose art is the subject of a retrospective at the Allan Stone Gallery, was depressingly pedestrian. Tucked away in the back, past a lovely courtyard, are 15 of Graham’s erotic drawings. That’s what the folks at Stone call the pictures, but there Read More

He Was That He Was: A Place For John Graham in Art’s Firmament

As far as dirty old men go, the American painter John Graham (1886-1961), whose art is the subject of a retrospective at the Allan Stone Gallery, was depressingly pedestrian.

Tucked away in the back, past a lovely courtyard, are 15 of Graham’s erotic drawings. That’s what the folks at Stone call the pictures, but there Read More

Stirring-and Slightly Abbreviated-War and Peace Comes to the Met

Opera-the most problematic of entertainments-is also the art form

most capable of breathing fresh life into a historical episode, a buried myth or a work of literature through the transforming powers of musical imagination, theatrical compression and live, flesh-and-blood performance. An unexpected demonstration of just how potent this alchemy can be took place at the Met Read More

Russians, Guggenheim Make Big Mac Museum

The other day, I had a call from London

that set me to brooding again about the fate of our art museums-some of them, anyway, and no doubt many more in the future. The caller was a reporter from the BBC, and he was inquiring about the opening of yet another new Solomon R. Guggenheim Museum Read More

Rampage in Central Park May Signal Changing Times

One of the cheapest thrills of history or historical fiction is spying on the average unperceptive soul as his world falls apart: Chaliapin performing in St. Petersburg the night the Winter Palace is stormed; some honest German tending bar at his saloon in New York or Chicago on the eve of Prohibition; the bellicose aristo Read More

Hail, Richard Diebenkorn! So Heroic, So Underrated

Few painters of his generation in America are more highly esteemed today-esteemed, that is, as painters -than the late Richard Diebenkorn (1922-1993). Yet visitors to the Diebenkorn retrospective that Jane Livingston has now organized at the Whitney Museum of American Art will quickly discover much that is new to them. Few of us have seen Read More